A quiet, moving portrait of two lifelong friends.
Two young women navigate their friendship in Karachi, then again decades later in London.
“Zahra had once looked up from a dictionary to inform Maryam that what the two of them had with each other was friendship, and what they had with the other six girls and twenty-two boys in class was merely ‘propinquity.’ ” Much of Shamsie’s latest novel is concerned with this distinction, as Zahra and Maryam grapple with the force that binds them together, something more meaningful and mysterious than physical closeness. In the first half, the two are 14-year-olds living in Karachi in the weeks surrounding the death of dictator Gen. Zia in 1988. Studious Zahra is the daughter of a deeply principled TV cricket-show anchor. Confident, privileged Maryam expects to inherit her ruthless grandfather’s leather company. While the dictatorship they live under (and are subsequently freed from) colors their daily experiences, they are before all else two young girls concerned with their changing bodies, their futures, high-stakes exams, and—in particular—their growing awareness of their vulnerability as women. “It’s not just fear,” Maryam tells Zahra, “it’s girlfear." This portion of the novel is sophisticated and poignant and crescendos to a pivotal scene in a car that is suspenseful, chilling, and masterfully executed. The second half fast-forwards to 2019, when the pair are living in London—Zahra Ali the director of the Center for Civil Liberties and Maryam Khan a powerful venture capitalist funding ethically dubious facial-tagging technologies. This portion of the novel is more scattered than the first. The maneuvering required for their powerful roles, while it allows Shamsie to touch on hot-button political issues, often lacks the exquisite nuance of her depiction of long-lasting friendship.
A quiet, moving portrait of two lifelong friends.Pub Date: Sept. 27, 2022
ISBN: 978-0-593-42182-6
Page Count: 320
Publisher: Riverhead
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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BOOK REVIEW
SEEN & HEARD
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