With a rare combination of skill and sensitivity, Shamsie generates pathos for outsiders and the displaced.
An epic tale of two families whose lives are intertwined by conflict.
As a young woman, Hiroko Tanaka survives the bombing of Nagasaki, which takes the life of her first love, German-born Konrad Weiss. Physically and mentally scarred, Hiroko flees to Konrad’s sister Elizabeth, who lives with her English husband James Burton in Delhi. Sajjad Ashraf, who frequents the Burton household, gives Urdu lessons to Hiroko, and they fall in love. But arranged marriages are traditional in his Muslim family, so the couple elopes and flees to Istanbul. Later, after Partition ends Sajjad’s hopes of returning to Delhi, they move to Karachi. There Hiroko bears a son, Raza, who grows into a precocious youth with a passion for languages. With the appearance at their door of James and Elizabeth’s son Harry, the lines of the two families cross once more. Raza flubs a final exam and deviates from his college-bound path to befriend a young Afghani smuggler, with whom he attempts to join the mujahideen. Shamsie (Broken Verses, 2005, etc.) builds vivid contemporary scenes on a rich and sometimes sordid history; the modern characters’ struggles attain tragic, even mythic resonance as parents’ ordeals are visited on their children. Wit, formidable imagination and intricate, well-worked characterizations distinguish the twisty narrative. Raza experiences mixed emotions as he travels through the blasted hinterlands with Afghani arms smugglers. In a world fraught with duplicity and inside deals among militant tribesmen, military contractors and CIA operatives, he learns that morality is anything but straightforward. But the struggles of zealots and mercenaries are dwarfed by Hiroko’s titanic journey. Having survived and suffered so much, she finds herself sitting with a crossword puzzle in a West Village bistro, contemplating the grand and hellish pattern of her loved ones’ lives as she considers with horror the threat of nuclear proliferation between India and Pakistan.
With a rare combination of skill and sensitivity, Shamsie generates pathos for outsiders and the displaced.Pub Date: May 4, 2009
ISBN: 978-0-312-55187-2
Page Count: 368
Publisher: Picador
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2009
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
