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OUR RICHES

A lovely book about books—and freedom.

An understated, lyrical story of reading and resistance over the tumultuous generations.

“For centuries the sun has been rising over the terraces of Algiers, and for centuries, on those terraces, we have been killing each other.” So writes Adimi in the first of her novels to be translated into English, a story that unfolds over decades, beginning in 1936, when a young pied noir named Edmond Charlot (who was a real person) buys a tiny bookstore in Algiers. He calls it Les Vraies Richesses, meaning something like “the true wealth.” In time he starts a publishing house, discovering a young Albert Camus. World War II follows, and Charlot battles censorship and paper shortages; then comes the Algerian War, and though readers continue to come to his store, no one has any money: “When I can, I slip them something I love and say, ‘Take it: fix me up later,’ ” Charlot records in his journal. Adimi recounts Charlot’s inspiring passion for books and ideas through his own voice and those of others, including one of his converts, a now old man named Abdallah, who tends to the store long after the death of its founder. But the Algerian authorities have no use for such secular spaces; as a journalist notes, “The government is sacrificing culture to build mosques on every street corner!” A young man named Ryad, an engineering student, is sent to clean out and refurbish the space. “Destroying a bookstore, you call that work?” Abdallah, who wears a shroud around his shoulders so that “the day God calls me, they’ll be able to bury me straight away,” asks the dutiful young man. The books he is sent to trash eventually enrapture Ryad, of course. Populated by the ordinary citizens of Algiers and such figures from French literary history as Robert Aron and Antoine de Saint-Exupéry, Adimi’s gently spun story takes an ominous turn as it nears its end, when the secret police turn up with increasing frequency, their “mustaches, sunglasses, dark suits” the uniform of the enemies of literature.

A lovely book about books—and freedom.

Pub Date: April 28, 2020

ISBN: 978-0-8112-2815-2

Page Count: 160

Publisher: New Directions

Review Posted Online: Jan. 26, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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