Both amusing and endearing; caregivers and close acquaintances of newborns will feel seen—and heard.
At the Dingling Circus, “a STAR is born”—but how can he dazzle the audience when he won’t stop crying?
In the grand tradition of Marla Frazee’s The Boss Baby (2010), Kate Beaton’s King Baby (2016), and others, a pair of overwhelmed new parents navigate their infant’s attempts to communicate. Boffo and Frieda Clown feed and burp Baby Clown, change his diaper, juggle for him, and even ask their fellow circus performers to entertain him in hopes of ending his wailing. Cordell’s characteristically loose ink-and-watercolor illustrations brilliantly evoke Quentin Blake’s Clown (1996), with large oval eyeballs and expressive mouths and hands. The clown parents’ dramatic features are further exaggerated as they experience dismay, frustration, and abject despair (in one spread, Frieda lies on the floor in the fetal position while Boffo, on his knees, begs Baby Clown to be quiet). All efforts to cheer the tot fail, but the show must go on: The sold-out crowd (depicted in shades of sepia) is eager to see Baby Clown—and their eagerness results in an unexpected solution! The clowns’ makeup is paper-white, and Baby Clown has a shock of brown hair and light-colored hands; “big boss” Mr. Dingling is the only character with distinctly brown skin.
Both amusing and endearing; caregivers and close acquaintances of newborns will feel seen—and heard. (Picture book. 3-8)Pub Date: April 14, 2020
ISBN: 978-0-7636-9743-3
Page Count: 32
Publisher: Candlewick
Review Posted Online: Dec. 7, 2019
Kirkus Reviews Issue: Jan. 1, 2020
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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