by Kara Thomas ‧ RELEASE DATE: July 25, 2017
Too bent on keeping readers in the dark to allow for true mystery
The new girl in town teases apart a web of lies in the wake of her friend’s disappearance.
White teen Kacey Young ran away from a volatile relationship with her mother to a new home in Broken Falls, Wisconsin, with the father she never met, a kind stepmother, and two new siblings. But it’s best friends Bailey and Jade, both also white, who become Kacey’s close-knit circle. The girls text constantly, and Bailey shows up at Kacey’s house even if she declines to hang out. One night, the girls attempt a séance in a haunted barn, and something spooks Kacey’s little sister, Lauren, who tags along. That night sets off a domino effect: Lauren is traumatized, Bailey and Jade give Kacey the cold shoulder, and then Bailey disappears. Kacey begins to investigate, and the more clues she stumbles upon, the more the police suspect her involvement. Rumors swirl, and Kacey learns that Bailey left a foundation of lies in her wake—lies that put their entire friendship into question. Thomas seems to be aiming at a chilling exploration of how far a teenage girl will go for revenge, but she doesn’t succeed. Red herrings make for a frustrating mystery that comes together in a rush, with too little buildup to make the shocking reveal believable.
Too bent on keeping readers in the dark to allow for true mystery . (Thriller. 14-18)Pub Date: July 25, 2017
ISBN: 978-0-553-52149-8
Page Count: 336
Publisher: Delacorte
Review Posted Online: April 16, 2017
Kirkus Reviews Issue: May 1, 2017
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by Laura Nowlin ‧ RELEASE DATE: April 1, 2013
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
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SEEN & HEARD
by Kerri Maniscalco ‧ RELEASE DATE: Sept. 20, 2016
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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