by Karen Beaumont & illustrated by David Catrow ‧ RELEASE DATE: April 1, 2005
A madcap painting romp finds a little boy covered head-to-toe in paint—and then he finds himself in the tub. Sung (there’s no other way to read this story) to the tune of “It Ain’t Gonna Rain No More,” the text leads its protagonist from initial misdeed to his mother’s injunction against painting to a clandestine orgy of self-decoration, body part by body part: “I take some red / and I paint my . . . / HEAD! / Now I ain’t gonna paint no more. / Aw, what the heck! / Gonna paint my . . . / NECK!”—and so on. One of Catrow’s patented twisted kewpies, the paint-addicted tot is depicted against a pristine black-and-white (and just cleaned) house, the only color his striped pajamas and the paints—and his increasingly gloppy self. His dog looks on with bewilderment as not only his owner but his own body becomes a Technicolor masterpiece. The bounce of the song is echoed in an animated typography in which not one word is horizontally aligned. Here’s one that kids will beg for again and again and again. (Picture book. 3-7)
Pub Date: April 1, 2005
ISBN: 0-15-202488-3
Page Count: 32
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2005
Share your opinion of this book
More by Karen Beaumont
BOOK REVIEW
by Karen Beaumont ; illustrated by Stephanie Laberis
BOOK REVIEW
by Karen Beaumont ; illustrated by LeUyen Pham
BOOK REVIEW
by Karen Beaumont ; illustrated by Eugene Yelchin
Awards & Accolades
Our Verdict
GET IT
Google Rating
New York Times Bestseller
by Kobi Yamada ; illustrated by Natalie Russell ‧ RELEASE DATE: March 1, 2017
A sweet, soft conversation starter and a charming gift.
Awards & Accolades
Our Verdict
GET IT
Google Rating
New York Times Bestseller
A paean to teachers and their surrogates everywhere.
This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.
A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)Pub Date: March 1, 2017
ISBN: 978-1-943200-08-5
Page Count: 32
Publisher: Compendium
Review Posted Online: Dec. 13, 2016
Kirkus Reviews Issue: Jan. 1, 2017
Share your opinion of this book
More by Kobi Yamada
BOOK REVIEW
by Kobi Yamada ; illustrated by Adelina Lirius
BOOK REVIEW
by Kobi Yamada ; illustrated by Charles Santoso
BOOK REVIEW
by Kobi Yamada ; illustrated by Elise Hurst
by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
Share your opinion of this book
More In The Series
adapted by Hannah Eliot ; illustrated by Nivea Ortiz
by Chloe Perkins ; illustrated by Dinara Mirtalipova
by Chloe Perkins ; illustrated by Archana Sreenivasan
More by Chloe Perkins
BOOK REVIEW
by Chloe Perkins ; illustrated by Dinara Mirtalipova
BOOK REVIEW
by Chloe Perkins ; illustrated by Archana Sreenivasan
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.