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POPPY'S CHAIR

At Gramm's house for her first long visit since ``Poppy'' died, Leah is sad and uneasy: she's afraid to look at his picture, unwilling to sing the song they shared, and conscious of the familiar chair that, in unspoken agreement, she and Gramm are both avoiding. Hesse (the fine Letters from Rifka, 1992) skillfully chooses details that reveal her characters' feelings while epitomizing their loss. Leah remains aloof during a day's shopping; that night, concerned for Gramm, she finds her sleeping in Poppy's chair. In a comforting dialogue that is both believable and wise, Gramm tells Leah how terrible, even angry, she felt when Poppy died—as Leah will when Gramm eventually dies too; still, like Gramm, Leah will be ``all right.'' Gramm is especially well individualized, the kind of white-haired lady whose hat, gloves, and shoes all match; Life, who uses pastels to depict the pair in an accessible, realistic style, brings a commendable subtlety to both sympathetic characterizations. Thoughtful and well crafted. (Picture book. 5-8)

Pub Date: March 31, 1993

ISBN: 0-02-743705-1

Page Count: 32

Publisher: Palgrave Macmillan

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1993

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RAPUNZEL

Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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STINK AND THE MIDNIGHT ZOMBIE WALK

From the Stink series

This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the...

An all-zombie-all-the-time zombiefest, featuring a bunch of grade-school kids, including protagonist Stink and his happy comrades.

This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the streets in the time-honored stiff-armed, stiff-legged fashion. McDonald signals her intent on page one: “Stink and Webster were playing Attack of the Knitting Needle Zombies when Fred Zombie’s eye fell off and rolled across the floor.” The farce is as broad as the Atlantic, with enough spookiness just below the surface to provide the all-important shivers. Accompanied by Reynolds’ drawings—dozens of scene-setting gems with good, creepy living dead—McDonald shapes chapters around zombie motifs: making zombie costumes, eating zombie fare at school, reading zombie books each other to reach the one-million-minutes-of-reading challenge. When the zombie walk happens, it delivers solid zombie awfulness. McDonald’s feel-good tone is deeply encouraging for readers to get up and do this for themselves because it looks like so much darned fun, while the sub-message—that reading grows “strong hearts and minds,” as well as teeth and bones—is enough of a vital interest to the story line to be taken at face value.

Pub Date: March 13, 2012

ISBN: 978-0-7636-5692-8

Page Count: 160

Publisher: Candlewick

Review Posted Online: Dec. 13, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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