Presented in diary format, this is the story of 11-year-old Nicholas Young’s 1768 voyage as a stowaway on Captain Cook’s ship Endeavor. Hesse uses the few facts known about Nick, as well as the actual journals of Cook and naturalist Joseph Banks, as sources for her account of their three-year voyage to explore and chart the South Pacific. Nick has run away from the casual cruelty of a father who is disappointed in his son’s lack of scholarship and has been apprenticed to “the Butcher” to toughen him up. Throughout, he is haunted by the nightmarish Butcher, whose memory is evoked by the brutish Midshipman Bootie. In the course of the voyage, Nick is made a Surgeon’s assistant and gains the crew’s acceptance. He grows into a skilled young man who recognizes his strengths and is prepared to hold his head up and make amends to the people he has disappointed. Renowned for her spare, poetic style (Out of the Dust, 1997, Newbery Medal), Hesse is just as successful telling a story rich in detail that is reflective in style and content of an 18th-century journal. Here the beauty of her language is at the service of such phenomena as a show of porpoises and the almost-human scream of the Endeavor as it is impaled on a coral reef. So adept is the pacing that, like a sea voyage, sometimes Nick’s journal entries are as prosaic as days at sea and sometimes entries become almost staccato as the action drives the reader forward. Ink-and-wash drawings by Robert Andrew Parker are appropriate to the classic genre of sea adventure. In a lucid, readable style, free of excessive nautical jargon, Hesse simultaneously takes readers along on one of history’s greatest enterprises, and introduces them to one of history’s most prodigious natural leaders. (Historical fiction. 10-14)
Pub Date: Nov. 1, 2000
ISBN: 0-689-83987-1
Page Count: 352
Publisher: McElderry
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 1, 2000
Year-round fun.
Set in 1937 during the so-called “Roosevelt recession,” tight times compel Mary Alice, a Chicago girl, to move in with her grandmother, who lives in a tiny Illinois town so behind the times that it doesn’t “even have a picture show.”
This winning sequel takes place several years after A Long Way From Chicago (1998) leaves off, once again introducing the reader to Mary Alice, now 15, and her Grandma Dowdel, an indomitable, idiosyncratic woman who despite her hard-as-nails exterior is able to see her granddaughter with “eyes in the back of her heart.” Peck’s slice-of-life novel doesn’t have much in the way of a sustained plot; it could almost be a series of short stories strung together, but the narrative never flags, and the book, populated with distinctive, soulful characters who run the gamut from crazy to conventional, holds the reader’s interest throughout. And the vignettes, some involving a persnickety Grandma acting nasty while accomplishing a kindness, others in which she deflates an overblown ego or deals with a petty rivalry, are original and wildly funny. The arena may be a small hick town, but the battle for domination over that tiny turf is fierce, and Grandma Dowdel is a canny player for whom losing isn’t an option. The first-person narration is infused with rich, colorful language—“She was skinnier than a toothpick with termites”—and Mary Alice’s shrewd, prickly observations: “Anybody who thinks small towns are friendlier than big cities lives in a big city.”
Year-round fun. (Fiction. 11-13)Pub Date: Oct. 1, 2000
ISBN: 978-0-8037-2518-8
Page Count: 144
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)
Pub Date: June 1, 2001
ISBN: 0-689-82594-3
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
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