by Karen Houppert ‧ RELEASE DATE: March 19, 2013
A well-researched and -written investigation that shows the inadequacies in stark human terms rather than as an abstraction.
A journalist explores the quality of indigent defense 50 years after Gideon v. Wainwright mandated adequate counsel for any person charged with a felony.
Washington Post Magazine contributing writer Houppert (Home Fires Burning: Married to the Military—for Better or Worse, 2005, etc.) concedes that her book is an update on the nonfiction classic by Anthony Lewis, Gideon's Trumpet (1964). Houppert focuses on four defendants represented by appointed lawyers. One of those cases is that of Clarence Earl Gideon, who appealed for defense counsel despite his poverty after his 1961 arrest in Panama City, Fla. The other cases are more contemporary: teenager Sean Replogle in Spokane, Wash., after he was charged with vehicular homicide; Gregory Bright in New Orleans, where he was convicted of a 1975 murder he did not commit; and Rodney Young in Georgia, where he was sentenced to death despite his apparent mental retardation. Houppert demonstrates that most public defenders are dedicated lawyers but face severe disadvantages due to overwhelming case loads, inadequate budgets for expert witnesses and the like, as well as the nature of the criminal justice system, which often emphasizes the desirability of a plea bargain instead of taking a case to a full trial by judge or jury. While Lewis sounded optimistic about the development of high-quality defense representation for the indigent in the wake of the Supreme Court ruling, Houppert is more pessimistic. Her research shows that defendants are regularly being denied their legal right to a strong lawyer with enough time and resources to function at the highest level. After all, indigent defendants do not have an organized lobbying group to compete for meager local, state and federal government resources, especially in recessionary eras.
A well-researched and -written investigation that shows the inadequacies in stark human terms rather than as an abstraction.Pub Date: March 19, 2013
ISBN: 978-1-59558-869-2
Page Count: 288
Publisher: The New Press
Review Posted Online: Jan. 20, 2013
Kirkus Reviews Issue: Feb. 1, 2013
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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