Next book

THE JANE AUSTEN BOOK CLUB

Bright, engaging, dexterous literary entertainment for everyone, though with many special treats and pleasures for Janeites.

The estimable Fowler (Sister Noon, 2001, etc.) offers a real delight as she follows the lives of six members of a book club.

Not a moment passes without its interest as we meet Jocelyn (who raises Rhodesian Ridgebacks); her best friend since girlhood, Sylvia (née Sanchez); Sylvia’s daughter Allegra, an artist who’s now 30 and a lesbian; high-school French teacher, Prudie, 28 and flighty; the talkative Bernadette, turning 67 and the oldest; and the only man, Grigg Harris, unmarried, in his 40s, new to the neighborhood—and a science-fiction buff who’s never read Jane Austen. Month by month, the group meets at one house or another to discuss the agreed-upon book, and all the while Fowler keeps things moving with a fine and inventive dexterity, lingering in the present at one moment, dipping way back into the adolescent years of Jocelyn and Sylvia at another (Sylvia marries Jocelyn’s boyfriend; Jocelyn remains single), sometimes touching on the life of Austen herself, then popping back to escort us through Grigg’s plain but fascinating history (he had three sisters, no brother), or to let us in on what makes Prudie flighty, how many husbands Bernadette had, or what happened when Allegra jumped from an airplane. Much of the charm lies in the book discussions themselves—never dry, ever revealing, always on the psychological mark—and much indeed also lies in the many perfect Austen-esque moments, situations, misunderstandings, recognitions, and reversals that make up the web and woof of the novel. We learn early that after 30 years of perfect marriage Sylvia’s husband has left her. That event, in one way or another, will touch on everyone, and before the end there’ll be a positively lovely re-sorting of relationships, places, and positions, all done in today’s most perfect emulation of Jane that you could ever imagine.

Bright, engaging, dexterous literary entertainment for everyone, though with many special treats and pleasures for Janeites.

Pub Date: May 1, 2004

ISBN: 0-399-15161-3

Page Count: 304

Publisher: Marian Wood/Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2004

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 51


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Next book

A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

Awards & Accolades

Likes

  • Readers Vote
  • 51


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Categories:
Next book

FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

Close Quickview