Faux pas aside, it’s a sweet celebration of leaving baby days behind.
There’s a lot to like in this book about all things “big kid.”
The first-person voice seamlessly shifts from one spread to another, attributing itself to characters of different races and genders. A pattern emerges through page design that shows a baby on the verso with text starting “When I was a baby…” and an older child on the recto with text reading “NOW I’M BIG” and expounding on how he or she can now do things that were impossible during babyhood. Katz’s signature, colorful, stylized characters rendered in watercolor and gouache romp through the pages, culminating with a little girl reveling in her new status as big sister to the new baby in her family. Earlier, one scene showing a baby in a playpen (who grows up to run around the park with friends) might seem a bit dated given rising concerns about the safety of such baby gear, but the real safety no-no comes at book’s end when the aforementioned big sister jumps on her bed while holding the tiny new baby by the arms. It’s a joyful scene, to be sure, but the sight of a teddy bear falling off the bed as the sisters spring up and down bespeaks a doubtlessly unintended sense of peril in this otherwise gentle book.
Faux pas aside, it’s a sweet celebration of leaving baby days behind. (Picture book. 2-5)Pub Date: March 19, 2013
ISBN: 978-1-4169-3547-6
Page Count: 32
Publisher: McElderry
Review Posted Online: Jan. 27, 2013
Kirkus Reviews Issue: Feb. 15, 2013
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
The combination of lovingly humorous and detailed mixed-media illustrations and infectious rhymes will cause little ones and...
More than skin deep, this rhyming paean to diversity offers readers an array of families of all colors and orientations, living and loving one another in a vibrant city setting.
A giggling baby is tummy-tickled by her white and black mothers (or white mother and black father—impressively, the illustration leaves room for interpretation) in New York’s Central Park in its summertime glory. "This is how we all begin: / small and happy in our skin." This celebration of skin not only extols the beauty and value of various skin colors, but also teaches the importance of skin as an essential body part: “It keeps the outsides out / and your insides in.” Park, public-pool, and block-party scenes allow readers to luxuriate in a teeming city where children of all colors, abilities, and religions enjoy their families and neighbors. The author and illustrator do not simply take a rote, tokenistic approach to answering the cry for diverse books; the words and pictures depict a much-needed, realistic representation of the statement “it takes a village to raise a child” when a child skins her knee and many rush to her aid and comfort. Though her palette of browns is a little limited, Tobia creates sheer joy with her depictions of everything from unibrows, dimples, and birthmarks to callouts to recognizable literary characters.
The combination of lovingly humorous and detailed mixed-media illustrations and infectious rhymes will cause little ones and their families to pore over this book again and again. (Picture book. 2-5)Pub Date: Aug. 25, 2015
ISBN: 978-0-7636-7002-3
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 11, 2015
Kirkus Reviews Issue: June 1, 2015
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