A sentimental romance with a religious foundation, albeit with no confrontation of difficult metaphysical questions, this is...
Facebook, Twitter and assorted other modern gadgetry provide a central link in Kingsbury’s latest Christian romance, one in which a dash of old-world paternalism sparks the action.
But first there is The Bridge, both place and circumstance. Charlie Barton owns The Bridge, an independent bookstore in Franklin, Tenn. The store and Charlie both work to bridge gaps between people and their dreams. As the story begins, Barton is attempting to cope with damage from the devastating 2010 floods that struck the Nashville area. The Bridge was destroyed. Barton had neither sufficient insurance nor sufficient resources to reopen. The second narrative thread follows the fractured romance between Molly Allen and Ryan Kelly, students of music at Belmont University. Molly was a rich man’s daughter from California, a girl reluctantly set free to test her wings in music, although her controlling father expected her to come home and run the family business and marry the son of a friend. Ryan was a country boy from Mississippi, but one talented enough to work his way eventually onto the country music circuit as a guitarist. Molly’s father learned of the budding romance, lied to Ryan about Molly’s feelings and compelled Ryan to drop out of her life, something Ryan felt obligated to do by personal honor. Now it is seven years down the road, neither Molly nor Ryan have married, and Charlie Barton lies in a coma after an auto accident. The Bridge is scheduled for repossession by the building’s owner. Ryan learns of the tragedy and rushes to help. Molly follows the effort through Twitter and soon feels compelled to fly to Franklin to support Charlie. Ryan and Molly meet again, both feeling jilted by that long-ago rejection. But with the characters addressing God personally, praying much, and receiving the right answers, a happy ending is ordained.
A sentimental romance with a religious foundation, albeit with no confrontation of difficult metaphysical questions, this is sure to bring believers joy.Pub Date: Oct. 23, 2012
ISBN: 978-1-4516-4701-3
Page Count: 256
Publisher: Howard Books/Simon & Schuster
Review Posted Online: April 28, 2012
Kirkus Reviews Issue: Sept. 1, 2012
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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