Will appeal mainly to Kingsbury devotees, as well as lovers of religious tracts…and basketball.
Another weeper from Christian-fiction diva Kingsbury, this time featuring a prayerful NBA star and his long-lost first love.
Kingsbury appears to concede that a slavish adherence to the sterner side of Christianity can subvert that religion’s founding principles, as happens when Alan Tucker, a Marine drill instructor, casts off his wife, Caroline, after discovering she is pregnant with a lover’s child. Righteous though it may be, his implacable anger has ruinous long-term consequences. He immediately moves from Savannah to Camp Pendleton, San Diego, ostensibly to save teenage daughter Ellie from the shame of growing up near her disgraced mother and her illegitimate half sibling. (Abortion, of course, is never brought up, nor is the question of contraception.) Ellie is devastated: She’ll leave behind Nolan, her closest childhood friend, a promising basketball player whose moves are described with a sportswriter’s skill. The teenagers, both 15, are chastely awakening to love, and before Ellie departs, they bury letters confessing their true feelings under a favorite tree. They make a pact to return on June 1st, 11 years hence, to dig up the box and read the letters. Cut to the present. Caroline is raising her son, John, and writing weekly letters to Ellie, which go unanswered. Long estranged from Alan, Ellie has forsworn college, has an illegitimate child of her own, daughter Kinzie, and works as a beautician. Nolan, a superstar with the Atlanta Hawks, is far out of her league: There are paparazzi-perpetrated rumors of girlfriends galore. When Alan shows up to beg forgiveness for a shocking transgression, it’s only Kinzie’s faith that causes Ellie to relent. But as June 1st approaches, can she undo 11 years of miscommunication and bad luck? Since deus ex machina is Kingsbury’s go-to plot device, nothing, particularly redemption, is left to chance. Unfortunately, putting everything in the Almighty’s hands leaves mere mortals with little to do, which makes for tedious reading.
Will appeal mainly to Kingsbury devotees, as well as lovers of religious tracts…and basketball.Pub Date: March 5, 2013
ISBN: 9781-4516-4703-7
Page Count: 352
Publisher: Howard Books/Simon & Schuster
Review Posted Online: Jan. 19, 2013
Kirkus Reviews Issue: Feb. 1, 2013
BOOK REVIEW
BOOK REVIEW
Hoffman (The Red Garden, 2011, etc.) births literature from tragedy: the destruction of Jerusalem's Temple, the siege of Masada and the loss of Zion.
This is a feminist tale, a story of strong, intelligent women wedded to destiny by love and sacrifice. Told in four parts, the first comes from Yael, daughter of Yosef bar Elhanan, a Sicarii Zealot assassin, rejected by her father because of her mother's death in childbirth. It is 70 CE, and the Temple is destroyed. Yael, her father, and another Sicarii assassin, Jachim ben Simon, and his family flee Jerusalem. Hoffman's research renders the ancient world real as the group treks into Judea's desert, where they encounter Essenes, search for sustenance and burn under the sun. There too Jachim and Yael begin a tragic love affair. At Masada, Yael is sent to work in the dovecote, gathering eggs and fertilizer. She meets Shirah, her daughters, and Revka, who narrates part two. Revka's husband was killed when Romans sacked their village. Later, her daughter was murdered. At Masada, caring for grandsons turned mute by tragedy, Revka worries over her scholarly son-in-law, Yoav, now consumed by vengeance. Aziza, daughter of Shirah, carries the story onward. Born out of wedlock, Aziza grew up in Moab, among the people of the blue tunic. Her passion and curse is that she was raised as a warrior by her foster father. In part four, Shirah tells of her Alexandrian youth, the cherished daughter of a consort of the high priests. Shirah is a keshaphim, a woman of amulets, spells and medicine, and a woman connected to Shechinah, the feminine aspect of God. The women are irretrievably bound to Eleazar ben Ya'ir, Masada's charismatic leader; Amram, Yael's brother; and Yoav, Aziza's companion and protector in battle. The plot is intriguingly complex, with only a single element unresolved. An enthralling tale rendered with consummate literary skill.
Pub Date: Oct. 4, 2011
ISBN: 978-1-4516-1747-4
Page Count: 512
Publisher: Scribner
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.
A Christian woman and a Jewish man fall in love in medieval France.
In 1088, a Christian girl of Norman descent falls in love with the son of a rabbi. They run away together, to disastrous effect: Her father sends knights after them, and though they flee to a small southern village where they spend a few happy years, their budding family is soon decimated by a violent wave of First Crusaders on their way to Jerusalem. The girl, whose name becomes Hamoutal when she converts to Judaism, winds up roaming the world. Hertmans’ (War and Turpentine, 2016, etc.) latest novel is based on a true story: The Cairo Genizah, a trove of medieval manuscripts preserved in an Egyptian synagogue, contained an account of Hamoutal’s plight. Hamoutal makes up about half of Hertmans’ novel; the other half is consumed by Hertmans’ own interest in her story. Whenever he can, he follows her journey: from Rouen, where she grew up, to Monieux, where she and David Todros—her Jewish husband—made a brief life for themselves, and all the way to Cairo, and back. “Knowing her life story and its tragic end,” Hertmans writes, “I wish I could warn her of what lies ahead.” The book has a quiet intimacy to it, and in his descriptions of landscape and travel, Hertmans’ prose is frequently lovely. In Narbonne, where David’s family lived, Hertmans describes “the cool of the paving stones in the late morning, the sound of doves’ wings flapping in the immaculate air.” But despite the drama of Hamoutal’s story, there is a static quality to the book, particularly in the sections where Hertmans describes his own travels. It’s an odd contradiction: Hertmans himself moves quickly through the world, but his book doesn’t quite move quickly enough.
Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.Pub Date: Feb. 4, 2020
ISBN: 978-1-5247-4708-4
Page Count: 304
Publisher: Pantheon
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK REVIEW
BOOK REVIEW
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