A tale that’s half engaging but never effectively plumbs its full potential.
Rivers introduces two middle schoolers who could help each other: Natalia, the motherless, paparazzi-plagued daughter of a loving, famous actor, and Harry, a transgender classmate who’s embracing his male identity in spite of his intolerant father’s rejection of his true self.
Natalia, new to Harry’s small, Canadian community, and her earnest, ebullient father, Xan Gallagher, share an understanding of the boy’s needs, but her classmates are more inclined toward ridicule. Unfortunately for Natalia, in an effort to find accepting male friends, Harry often pushes back against her yearning for a BFF. She needs one badly. Adolescence is sneaking up on her; it’s not a change she welcomes, and she feels it’s especially hard to navigate this complicated passage without the mother who apparently rejected her at birth. A scene in which she tries to select products for her first—unexpected—period in a supermarket is especially touching. Harry’s situation is ultimately helped by Xan’s intervention with Harry’s mildly star-struck parents. The tale is told in alternating third-person voices, but Natalia’s is far better captured than Harry’s; his complex needs and emotions are never fully explored the way Natalia’s are. In fact, Harry’s predictable history of transphobic assault, forced use of the girls’ bathroom, humiliation in front of his classmates, and constant deadnaming make him a collection of the pitiable tropes that are familiar to cis audiences but likely discouraging and alienating to trans readers. Harry, Natalia, and Xan all present as white.
A tale that’s half engaging but never effectively plumbs its full potential. (Fiction. 11-14)Pub Date: March 13, 2018
ISBN: 978-1-61620-723-6
Page Count: 288
Publisher: Algonquin
Review Posted Online: Dec. 2, 2017
Kirkus Reviews Issue: Jan. 1, 2018
BOOK REVIEW
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BOOK REVIEW
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and...
Good has won every fairy-tale contest with Evil for centuries, but a dark sorcerer’s scheme to turn the tables comes to fruition in this ponderous closer.
Broadening conflict swirls around frenemies Agatha and Sophie as the latter joins rejuvenated School Master Rafal, who has dispatched an army of villains from Capt. Hook to various evil stepmothers to take stabs (literally) at changing the ends of their stories. Meanwhile, amid a general slaughter of dwarves and billy goats, Agatha and her rigid but educable true love, Tedros, flee for protection to the League of Thirteen. This turns out to be a company of geriatric versions of characters, from Hansel and Gretel (in wheelchairs) to fat and shrewish Cinderella, led by an enigmatic Merlin. As the tale moves slowly toward climactic battles and choices, Chainani further lightens the load by stuffing it with memes ranging from a magic ring that must be destroyed and a “maleficent” gown for Sophie to this oddly familiar line: “Of all the tales in all the kingdoms in all the Woods, you had to walk into mine.” Rafal’s plan turns out to be an attempt to prove that love can be twisted into an instrument of Evil. Though the proposition eventually founders on the twin rocks of true friendship and family ties, talk of “balance” in the aftermath at least promises to give Evil a fighting chance in future fairy tales. Bruno’s polished vignettes at each chapter’s head and elsewhere add sophisticated visual notes.
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and flashes of hilarity. (Fantasy. 11-13)Pub Date: July 21, 2015
ISBN: 978-0-06-210495-3
Page Count: 672
Publisher: Harper/HarperCollins
Review Posted Online: June 25, 2015
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BOOK REVIEW
BOOK REVIEW
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