So joyous is most of this tale from Wallace that it all but subverts the act of magic serving as the climax. Scarlette Beane is a born gardener, not just with a green thumb, but with green fingers as well. She lives in a small home with her parents, “so they worked outside as much as they could.” They are also avid gardeners, too; the days are clear and they are a supremely merry lot. Scarlette is given a garden when she turns five, and proceeds to grow colossal vegetables that have to be individually harvested with machines. Everyone in the village comes to help, and then to eat the soup made from the bounty. They must eat outside because the house is too small, but no one minds such a glorious picnic, even when it rains. That night, Scarlette creeps out of bed to a high meadow and plants a bunch of seeds in a hole. The next day, a castle of vegetables rises from the meadow: “Mrs. Beane kissed her daughter’s face. ‘I knew you’d do something wonderful,’ she whispered.” Since their small house has suited them so beautifully, this ending has the feel of gilding the lily. Thickly painted, expressively modeled artwork adds to the atmosphere of green and growing miracles. (Picture book. 3-7)
Pub Date: March 1, 2000
ISBN: 0-8037-2475-6
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1999
Gibberish with meritless pictures. (Picture book. 5-7)
A young girl’s dream takes her on a fantastical adventure.
In what is ostensibly verse, Akley tells of a little girl who has a dream–or perhaps a metaphorical adventure or spiritual awakening–about a gold candlestick. Determined to find the meaning behind it, she embarks on a quest, along the way meeting various preachy animals in different settings. It’s clear that lessons are supposedly being taught, but what exactly that wisdom entails is lost in text that is awkward, lengthy and clichéd. Presented as prose despite the attempted verse, the story fails to generate interest. The accompanying illustrations are unpleasantly colored and amateurish; faces are distorted, and the pictures often deviate from the text. Readers will sense that the girl achieves her quest but will never understand its purpose. Akley claims the story has a basis in the Book of Revelations, but beyond the word “cross” and the possibility of an ever-present shepherd, no actual meaning–religious or secular–is decipherable.
Gibberish with meritless pictures. (Picture book. 5-7)Pub Date: April 13, 2007
ISBN: 978-1-4327-0312-9
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
BOOK REVIEW
In The Palm Of Darkness ($21.00; May 1997; 192 pp.; 0-06-018703- 4): A Cuban writers's intensely imaginative portrait of the extremities of Haitian culture rings some fresh changes on the overfamiliar theme of intellectual arrogance humbled by its collision with ``elemental'' peasant wisdom. Montero subtly builds up a revealing contrast between Victor Griggs, a European herpetologist searching for the remaining specimens of an endangered species of amphibian, and his native guide Thierry Adrien's memories of his family's encounter with the island's ubiquitous spirits. This truly original novel is studded with surprises—not least of which is the concept of a species suddenly and entirely disappearing in a milieu where the living and the dead are known to mingle together more or less matter-of-factly. A refreshingly sophisticated treat. (Author tour)
Pub Date: May 1, 1997
ISBN: 0-06-018703-4
Page Count: 192
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1997
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