Speaking to heart and eye in equal measures, a beautiful treatise on remembering life and helping those left behind.
The twin desires to mourn and to comfort imbue a simple fable played out by a woodland cast.
Though Fox is eager for rest after a long night of hunting, his curiosity is piqued when he hears the birds singing a strange new song. He follows them to a dead bird in a field. Fox’s confusion attracts the attention of Moth, who finds it difficult to explain what has happened to the bird. Instead, Moth tells Fox how the moon reflects the sun’s rays, even long after the sun has gone. Fox struggles to understand until Moth explains that the bird is dead. “I was trying to be kind,” Moth tells Fox. “Sad things are hard to hear. They are pretty hard to say, too. They should be told in little pieces.” As Fox grapples with the newfound realization, Moth offers solace if not the explanation he was seeking. Mountford does dual duty in giving voice to both the confusion that comes with death and a template on how to be there for those in pain. Tonally, the book never turns precious, the storytelling clear, concise, and sympathetic. All this is wonderfully accompanied by digital art resembling woodcuts and lithographs, the black of the fox, the birds, and the moth contrasting keenly with the colors of the natural world surrounding them. (This book was reviewed digitally.)
Speaking to heart and eye in equal measures, a beautiful treatise on remembering life and helping those left behind. (Picture book. 4-7)Pub Date: Sept. 27, 2022
ISBN: 978-1-5362-2498-6
Page Count: 40
Publisher: Candlewick Studio
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
