Knausgaard’s intelligence is on full display here, if sometimes in strained ways.
The acclaimed author of the My Struggle series offers essays on fine art, classic literature, and his own work.
In this wide-ranging, sometimes labored collection, Knausgaard argues that art is at its most effective when it destabilizes our understanding of the world. Photos by Cindy Sherman that satirize the human body, for instance, grab the author’s attention because they spark the same “discomfort, nausea, anger” he experienced while working in a mental institution. Similarly, the moody, provocative black-and-white photos of Francesca Woodman reveal the “constraints of our culture and what they do to our identity” while Michel Houellebecq’s novel Submission succeeds because it suggests how easily disillusioned people might accept political upheaval, asking “What does it mean to be a human being without faith?” Knausgaard approaches his subjects indirectly, often bemusingly so. (How did we get from the northern lights to Roberto Bolaño’s 2666?) The throughline is the author’s keen, almost anxious urge to understand the artistic mind. He is fascinated by Ingmar Bergman’s workbooks, how a simple jotting can expand into a classic film like Fanny and Alexander, and how Knut Hamsun’s sensibility shifted over time. Knausgaard also gives his own work close scrutiny, celebrating the crucial role of editors and sounding boards in supporting his work and psyche—he reports that he read every word of My Struggle, some 5,000 pages, to a friend over the phone—and letting fly at narrow-minded critics who “can’t handle ambiguity.” The book’s three translators all reckon with the author’s rhetorical switchbacks and run-on sentences with admirable grace, though Knausgaard is at his best with a wide canvas. These pieces at times feel compressed and fussy, lacking some of the considered grace of his Seasons Quartet or the essayistic longueurs of My Struggle.
Knausgaard’s intelligence is on full display here, if sometimes in strained ways.Pub Date: Jan. 5, 2021
ISBN: 978-1-939810-74-8
Page Count: 350
Publisher: Archipelago
Review Posted Online: Sept. 28, 2020
Kirkus Reviews Issue: Oct. 15, 2020
A pleasure for fans of old-school historical narratives.
Avuncular observations on matters historical from the late popularizer of the past.
McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”
A pleasure for fans of old-school historical narratives.Pub Date: Sept. 16, 2025
ISBN: 9781668098998
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: June 26, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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