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SUMMER

Breezy reading that’s also a commentary on breezy reading. Some trick.

Knausgaard closes his quartet of autobiographical meditations on the seasons in an appropriately verdant and optimistic fashion.

The author likes a big finish: The concluding volume of his landmark My Struggle series cracked 1,100 pages, and this volume is substantially longer than its three predecessors (Autumn, 2017; Winter, 2018; Spring, 2018). As in Autumn and Winter, the book is rooted in brief essays contemplating and anthropomorphizing objects of everyday existence: slugs, tears, wasps, Sting CDs that reveal the chasm between “myself and the person I was thirty years ago.” The riffs are typically light, at times willfully frivolous (“has a single good author ever owned a dog?”), at others more thought-provoking and counterintuitive. Playgrounds, for instance, are imagination-stifling spaces “whose order and formulaic reason is a kind of bureaucratic utopia.” The book’s serious side—and much of its heft—is contained in lengthy diary entries in which Knausgaard contemplates his health, his children, his work, and especially his family history. Having recently observed a brain surgeon at work for a magazine story, the nature of consciousness is much on his mind (he’s reading a lot of Emanuel Swedenborg), and despite having written reams of prose that straddle the line between fiction and memoir, he’s still sorting out what defines such writing and how honest it can be. To get out of his own head, the author writes a fictionalization of the courtship between his grandparents after World War II, a story that turns out to be thick with lust, betrayal, and violence of Shakespearean proportions. “I am bad at writing imaginatively,” Knausgaard insists, but this is a bluff: He knows that while interrogating the nature of storytelling, he’s priming readers for a powerful, straightforward yarn.

Breezy reading that’s also a commentary on breezy reading. Some trick.

Pub Date: Aug. 21, 2018

ISBN: 978-0-399-56339-3

Page Count: 416

Publisher: Penguin Press

Review Posted Online: May 27, 2018

Kirkus Reviews Issue: June 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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