A curiously affecting tale about science and spirit, optimistic despite its gloomy themes.
Two half siblings, separated for decades, contemplate their pasts.
This bulky novel by the maximalist Knausgaard is mainly composed of two long sections. The first, set in 1986, is narrated by Syvert Løyning, a young Norwegian man who’s just completed his military service and has returned home feeling aimless. He plays soccer, minds his younger brother, tends to his ailing mom, and struggles to find work. (To his chagrin, he becomes a local celebrity after talking to a journalist about his plight.) Idly searching through his late father’s belongings, he discovers a clutch of letters in Russian; after finding a translator, he learns that they were written by a lover his father had in the Soviet Union. Syvert’s narrative is layered with themes of death and loss: He contemplates the threat of the recent Chernobyl meltdown and eventually finds work with an undertaker. The mood persists in the following section narrated by his half sister, Alevtina Kotov, who in the present day is a biology professor with a sideline obsession with research done on immortality; though the plot mainly concerns her tending to her aging stepfather, much of her narrative is devoted to ineffable matters of nature, from the ways trees communicate with each other to the pathways that might let us live forever. As ever, Knausgaard is managing a precarious balance—his overwriting can be deeply immersive or exasperating. But unlike The Morning Star (with which this book shares some plot points), which bounced around a host of characters, this book succeeds by keeping the focus on two main figures, making for an appealing (if still overlong) story of two people with similar obsessions despite the separations of time and distance.
A curiously affecting tale about science and spirit, optimistic despite its gloomy themes.Pub Date: Sept. 19, 2023
ISBN: 9780593490839
Page Count: 800
Publisher: Penguin Press
Review Posted Online: June 8, 2023
Kirkus Reviews Issue: July 1, 2023
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
I Who Have Never Known Men ($22.00; May 1997; 224 pp.; 1-888363-43-6): In this futuristic fantasy (which is immediately reminiscent of Margaret Atwood's The Handmaid's Tale), the nameless narrator passes from her adolescent captivity among women who are kept in underground cages following some unspecified global catastrophe, to a life as, apparently, the last woman on earth. The material is stretched thin, but Harpman's eye for detail and command of tone (effectively translated from the French original) give powerful credibility to her portrayal of a human tabula rasa gradually acquiring a fragmentary comprehension of the phenomena of life and loving, and a moving plangency to her muted cri de coeur (``I am the sterile offspring of a race about which I know nothing, not even whether it has become extinct'').
Pub Date: May 1, 1997
ISBN: 1-888363-43-6
Page Count: 224
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
BOOK REVIEW
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