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MAMA, WHY?

A lullaby featuring a polar bear mother and cub joins the legions of other tales of young ones asking their mothers the familiar—why? “When the moon sails high in the Artic sky, / Polar cub asks, ‘Mama, why?’ / Mama answers, ‘Moon floats up there / to say good night to polar bears. / He glides above to shine sweet dreams / and sends them down on silver beams.’” Mama adds, “When the moon sends dreams of princes and queens, / he turns wondrous stories into dreams.” While the sleepy polar cub continues to ask “why” in response to each of his mother’s lyrical explanations, the mixed-media illustrations imbue a dreamy quality to the spare text. Amid the misty aura, the bears are almost photographically realistic, especially their fur texture. Mendez sprinkles stars liberally about his spreads, their luster adding to the silvery sheen of the moon against the dark Arctic night, as if channeling Thomas Kinkade. As Mama’s explanations grow ever more fanciful, he incorporates fanciful imagery from the standard (pirate ships, royal coaches) to refreshingly original (bears and a trio of seals put together in the night sky). The overall effect is soothing, affectionate, precious and cozy—practically guaranteed to lull little ones to sleep. (Picture book. 3-5)

Pub Date: March 22, 2011

ISBN: 978-1-4169-4205-4

Page Count: 40

Publisher: McElderry

Review Posted Online: Feb. 10, 2011

Kirkus Reviews Issue: Feb. 15, 2011

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GOOD NIGHT OWL

A funny tale about stress and an ever upping ante, with a comforting end.

Something is preventing Owl from falling asleep.

Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?

A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)

Pub Date: April 19, 2016

ISBN: 978-1-4847-1275-7

Page Count: 48

Publisher: Disney-Hyperion

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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WITH ALL MY HEART

Sweet.

A caregiving bear shares with its cub how love has defined their relationship from the first moment and through the years as the cub has grown.

With rhymes and a steady rhythm that are less singsong-y than similar books, Stansbie seems to have hit a sweet spot for this offering on the I-love-you-always shelf. Readers follow the adult and child as they share special moments together—a sunset, a splash in a pond, climbing a tree, a snuggle—and the adult tells the child that the love it feels has only grown. Stansbie also takes care not to put promises in the adult bear’s mouth that can’t be delivered, acknowledging that physical proximity is not always possible: “Wherever you are, / even when we’re apart… // I’ll love you forever / with all of my heart.” The large trim size helps the sweet illustrations shine; their emphasis is on the close relationship between parent and child. Shaped peekaboo windows offer glimpses of preceding and succeeding pages, images and text carefully placed to work whatever the context. While the die cuts on the interior pages will not hold up to rough handling, they do add whimsy and delight to the book as a whole: “And now that you’re bigger, / you make my heart sing. / My / beautiful / wonderful / magical / thing.” Those last three adjectives are positioned in leaf-shaped cutouts, the turn of the page revealing the roly-poly cub in a pile of leaves, three formed by the die-cuts. Opposite, three vignettes show the cub appreciating the “beautiful,” the “wonderful,” and the “magical.”

Sweet. (Picture book. 3-5)

Pub Date: Dec. 3, 2019

ISBN: 978-1-68412-910-2

Page Count: 32

Publisher: Silver Dolphin

Review Posted Online: Oct. 12, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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