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AZAREL

Richly imagined work by a gifted storyteller of great subtlety and substance: Pap clearly deserves a wide audience, however...

Before he vanished into a Nazi concentration camp, Pap was already known as one of the finest Hungarian writers, a judgment confirmed for contemporary readers by this first English translation of his lively, intense 1937 novel: the story of a boy's crisis of faith.

Even before he was born, Gyuri Azarel was embroiled in conflict as his paternal grandfather Jeremiah—a hoary Old Testament figure if ever there was one—demanded the child from his parents as payment for their failure to keep the true faith. No matter that Gyuri's father is a respected rabbi; the boy goes to live in Papa Jeremiah's tent and experiences the ultra-Orthodox life, until the visionary old man, fasting in expectation of being transported to Jerusalem, fails to wake up one morning. Returned to his parents, brother, and sister, Gyuri has trouble adapting. He wants unconditional love and attention from his family, but doesn't get it from any of them; he wants friends in school, but doesn't know how to make them; he wants his teacher to answer his questions about God, but as a rabbi's son his doubts are unacceptable. When he brings the questions home, his proper, domineering father hits the proverbial roof. A battle of wills ensues in which the boy is battered physically, then leaves home to go beg in the streets. But when the familiar, rebellious voices in his head are joined by one from the fire in a baker's oven telling him to return to his father's synagogue, he does, for a final feverish confession that brings a resolution—of sorts—to his spiritual distress.

Richly imagined work by a gifted storyteller of great subtlety and substance: Pap clearly deserves a wide audience, however belatedly achieved.

Pub Date: Aug. 1, 2001

ISBN: 1-58642-019-4

Page Count: 176

Publisher: Steerforth

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2001

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CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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