Engaging but marginalizing.
An introduction to the White House, the residence of every American president except Washington and for many years, the largest home in the country.
It’s currently staffed by 100 nonpartisan employees, including five full-time florists and the head of the storeroom, who shops incognito for the first family’s groceries in an unmarked Secret Service vehicle. From the building’s construction to its more whimsical occupants, including children and pets, Brower provides a fine overview of what it’s like to live there, but she repeats some anecdotes (such as Dolley Madison’s saving the portrait of George Washington). By relegating all mention of race and prejudice, including that the house was built by enslaved construction workers, to a separate chapter titled “Understanding the Past: Race and the White House,” there is an implication that racism is over and dealt with as well as separate from, rather than an integral part of, U.S. history. Additionally, the only first lady Brower describes as having to get used to the size and grandeur of the White House is Michelle Obama. (And the only baby born in the White House wasn’t little Esther Cleveland in 1893—it was a child of Ursula Granger Hughes, one of Thomas Jefferson’s enslaved cooks, 91 years earlier.) This entertaining treatment conveys genuine respect for White House employees but contains serious missteps when it comes to inclusivity.
Engaging but marginalizing. (maps, timeline, discussion questions, presidents and first ladies, selected bibliography, further reading, endnotes) (Nonfiction. 8-14)Pub Date: Dec. 8, 2020
ISBN: 978-0-06-290641-0
Page Count: 240
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: Sept. 9, 2020
Kirkus Reviews Issue: Oct. 1, 2020
BOOK REVIEW
An authentic and moving time capsule of middle school angst, trauma, and joy.
Through the author’s own childhood diary entries, a seventh grader details her inner life before and after 9/11.
Alyssa’s diary entries start in September 2000, in the first week of her seventh grade year. She’s 11 and dealing with typical preteen concerns—popularity and anxiety about grades—along with other things more particular to her own life. She’s shuffling between Queens and Manhattan to share time between her divorced parents and struggling with thick facial hair and classmates who make her feel like she’s “not a whole person” due to her mixed White and Puerto Rican heritage. Alyssa is endlessly earnest and awkward as she works up the courage to talk to her crush, Alejandro; gushes about her dreams of becoming a shoe designer; and tries to solve her burgeoning unibrow problem. The diaries also have a darker side, as a sense of impending doom builds as the entries approach 9/11, especially because Alyssa’s father works in finance in the World Trade Center. As a number of the diary entries are taken directly from the author’s originals, they effortlessly capture the loud, confusing feelings middle school brings out. The artwork, in its muted but effective periwinkle tones, lends a satisfying layer to the diary’s accessible and delightful format.
An authentic and moving time capsule of middle school angst, trauma, and joy. (author's note) (Graphic memoir. 8-13)Pub Date: Aug. 17, 2021
ISBN: 978-1-250-77427-9
Page Count: 288
Publisher: Roaring Brook Press
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A breezy, bustling bucketful of courageous acts and eye-popping feats.
Why should grown-ups get all the historical, scientific, athletic, cinematic, and artistic glory?
Choosing exemplars from both past and present, Mitchell includes but goes well beyond Alexander the Great, Anne Frank, and like usual suspects to introduce a host of lesser-known luminaries. These include Shapur II, who was formally crowned king of Persia before he was born, Indian dancer/professional architect Sheila Sri Prakash, transgender spokesperson Jazz Jennings, inventor Param Jaggi, and an international host of other teen or preteen activists and prodigies. The individual portraits range from one paragraph to several pages in length, and they are interspersed with group tributes to, for instance, the Nazi-resisting “Swingkinder,” the striking New York City newsboys, and the marchers of the Birmingham Children’s Crusade. Mitchell even offers would-be villains a role model in Elagabalus, “boy emperor of Rome,” though she notes that he, at least, came to an awful end: “Then, then! They dumped his remains in the Tiber River, to be nommed by fish for all eternity.” The entries are arranged in no evident order, and though the backmatter includes multiple booklists, a personality quiz, a glossary, and even a quick Braille primer (with Braille jokes to decode), there is no index. Still, for readers whose fires need lighting, there’s motivational kindling on nearly every page.
A breezy, bustling bucketful of courageous acts and eye-popping feats. (finished illustrations not seen) (Collective biography. 10-13)Pub Date: May 10, 2016
ISBN: 978-0-14-751813-2
Page Count: 320
Publisher: Puffin
Review Posted Online: Nov. 10, 2015
Kirkus Reviews Issue: Dec. 1, 2015
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