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WE OWN THE FUTURE

DEMOCRATIC SOCIALISM―AMERICAN STYLE

A book of inspired opinion certain to provoke spirited political debate and proactive discussions.

A collection of unique perspectives on democratic socialism.

Aronoff (co-author: A Planet to Win: Why We Need a Green New Deal, 2019), Dreier (Politics/Occidental Coll.; The 100 Greatest Americans of the 20th Century: A Social Justice Hall of Fame, 2012, etc.) and Kazin (History/Georgetown Univ.; War Against War: The American Fight for Peace, 1914-1918, 2017, etc.) deliver a chorus of intellectual voices who describe their vision for democratic socialism systems in the U.S. as well as assessments of inevitable roadblocks. The editors’ introductory essays offer a crash course in the history of the socialist movement, particularly its incremental resurgence from the federal programs of the 1930s through the social activist movements of the 21st century. As they warn, the mechanics of socialism in other countries offer lessons but not necessarily blueprints. They also address how the “hidden rules of race and racism” must first be overcome before any kind of economic justice can be realized. Each piece is thoughtful and regimented and includes a usable plan of action. Economist Darrick Hamilton hypothesizes a three-part playbook of policies to remediate our unjust financial system while historian Thomas Sugrue proposes a restructuring of the housing and transit markets to create more livable urban and rural spaces. Naomi Klein discusses how enacting the Green New Deal would prioritize and confront the issue of climate change head-on. Social justice advocate Dorothy Roberts addresses the comprehensive impact of universal health care, and journalist Michelle Chen examines the advantages of open borders. The contributors also survey education, sports, election systems, reproductive justice, and the arts. Sensible and convincing, the book takes on the country’s current “troubled plutocracy” and proposes ways “to build a kinder, more humane, and altogether freer society.” Even for those not inclined to agree with its core objective, the book challenges and motivates readers to act and appeal for “daunting but not impossible” changes.

A book of inspired opinion certain to provoke spirited political debate and proactive discussions.

Pub Date: Jan. 14, 2020

ISBN: 978-1-62-097521-3

Page Count: 256

Publisher: The New Press

Review Posted Online: Oct. 5, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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