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YOU'RE MY BOO

Boo-tiful.

A day in the life of a family is more than the sum of its adorable parts.

“You’re my peek-a-boo, my sneak-a-boo, / my laughing till-you-squeak-a-boo.” So begins this mother fox’s celebration of her quick, sneaky, funny, naughty little fox cub. All day long, the toddler plays, alternating between engaging its baby sibling and teasing it. And all day long, the mother cajoles, comforts, or corrects the child’s behavior, using the “boo” diminutive throughout, until at day’s end the child is comforted and tucked in to sleep. Adult readers with a low saccharine tolerance may shudder at the sweetness of the endeavor, but with its meticulous scansion and playful affection, it subtly morphs into a story that is both a silly name litany (always popular with young readers) and a quietly reassuring statement of continual mischief-proof parental love (“And no matter what you do… / you will always be my boo”). The book also draws a fairly neat line between the “boo” of “peek-a-boo” and the contemporary, affectionate slang term for “sweetheart.” Withrow’s accompanying pencil, collage, and digital art aptly illuminates the cub’s day, excelling in vignettes that illustrate the protagonist’s shenanigans even as the text delivers simple, one-word descriptions. In the end, it’s the love between parent and child that carries the story.

Boo-tiful. (Picture book. 3-5)

Pub Date: Sept. 20, 2016

ISBN: 978-1-4424-4160-6

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: June 21, 2016

Kirkus Reviews Issue: July 1, 2016

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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GOOD NIGHT OWL

A funny tale about stress and an ever upping ante, with a comforting end.

Something is preventing Owl from falling asleep.

Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?

A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)

Pub Date: April 19, 2016

ISBN: 978-1-4847-1275-7

Page Count: 48

Publisher: Disney-Hyperion

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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