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AUNT ISABEL TELLS A GOOD ONE

There's a lot going on here: a story within a story—Aunt Isabel, a bohemian-looking mouse, pauses in her artistic endeavors (her drawings and paintings are informally hung around her snug home) to tell little Penelope a spur-of-the-moment story explicitly designed to demonstrate the construction of a plot. Getting some features from her niece (``When does this story begin?'' ``Long, long ago'') while also pointing out the importance of others (``I think we should leave that Problem part out,'' Penelope complains, but ``Just wait till you hear what happens next!'' her aunt replies), she spins a story with classic elements (romance, villains) and a feminist denouement especially designed for her small audience (the heroine, after being spurned by the king and queen, bravely and cleverly saves the prince; there's a grand celebration, but any possible nuptials will occur only after careers are established). The framing story has an appealing warmth and is deftly interwoven with Aunt Isabel's tale so that both narratives move briskly; Duke's attractive watercolor illustrations are also well paced, and reinforce the similarities between the little mouse and the heroine of her aunt's tale. All in all: an entertaining production, with a light touch that saves it from preachiness; the playful introduction to the elements of fiction is especially intriguing, and should be invaluable to creative-writing programs for young children. (Picture book. 4-8)

Pub Date: Feb. 1, 1992

ISBN: 0-525-44835-7

Page Count: 32

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1991

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A DOG NAMED SAM

A book that will make young dog-owners smile in recognition and confirm dogless readers' worst suspicions about the mayhem caused by pets, even winsome ones. Sam, who bears passing resemblance to an affable golden retriever, is praised for fetching the family newspaper, and goes on to fetch every other newspaper on the block. In the next story, only the children love Sam's swimming; he is yelled at by lifeguards and fishermen alike when he splashes through every watering hole he can find. Finally, there is woe to the entire family when Sam is bored and lonely for one long night. Boland has an essential message, captured in both both story and illustrations of this Easy-to-Read: Kids and dogs belong together, especially when it's a fun-loving canine like Sam. An appealing tale. (Picture book. 4-8)

Pub Date: April 1, 1996

ISBN: 0-8037-1530-7

Page Count: 40

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1996

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BERRY MAGIC

Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)

Pub Date: June 1, 2004

ISBN: 0-88240-575-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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