A young girl recites a litany of offenses inflicted by her parents. Giving kisses goodbye in front of friends, a loud voice and excessive worrying are all evidence of reckless mothering. With sly humor, Feiffer details the child’s elaborate-yet-doomed plans for escape. A final, desperate appeal to the authorities results in her hapless mother’s incarceration. Dad, too, must pay his dues for such transgressions as enforcing a set bedtime, requiring a clean bedroom and the like. With glee, the child ponders a future free of parental interference. However, the veracity of the caveat “be careful what you wish for” soon becomes evident as the child envisions life on her own: “if...I have a bad dream because I went to bed hungry and without any stories and nothing to drink, there will be no one there to hug me and say, ‘It’s just a dream.’ ” Goode’s watercolor illustrations adeptly convey the wry tone of the tale, her orange-ponytailed little girl displaying a unibrow scowl as she contemplates her mother’s sins. A comical rebuttal to a familiar childhood lament. (Picture book. 4-8)
Pub Date: March 24, 2009
ISBN: 978-1-4169-4100-2
Page Count: 32
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2009
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
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