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ALL ABOUT POOP

Blunt and easeful—like having an older sibling give you the scoop.

That perennial favorite, the mechanics of excretion, is well and alimentarily served by this app from Hayes and Vaughan.

With its youthful, rhyming voice-over—“Speaking of food, that’s where it starts— / poop, I mean (and also farts)”—it gives the topic frank fun that conveys the naturalness of the process without stripping away its comic strangeness. The actors here are a boy and his dog  (and of course the poops), who usher users stem to stern from mouthful to flush, stopping at every station along the way: esophagus, belly, intestine, toilet, cesspools and sewage lines. The body parts are situated and identified but not explored in any depth. Each page—there are 19—has one or more opportunities for engagement, sometimes opening up another page for greater explication, sometimes just allowing the dog to bark or the intestine to rumble; all is movement, as it were. One page is devoted to a gallery of poop shapes and another to the passing of gas—the accompanying sound effects are a hoot (flarp! squeep! pwip!). Tips (don’t play with poop, wash your hands) and trivia (herring communicate via flatulence, elephants poop 300 pounds a day) close out the proceedings.

Blunt and easeful—like having an older sibling give you the scoop. (iPad informational app. 4-8)

Pub Date: Dec. 21, 2012

ISBN: N/A

Page Count: -

Publisher: Pinwheel Books

Review Posted Online: Feb. 26, 2013

Kirkus Reviews Issue: March 15, 2013

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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OTIS

From the Otis series

Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)

Pub Date: Sept. 1, 2009

ISBN: 978-0-399-25248-8

Page Count: 40

Publisher: Philomel

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2009

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