“Mythology” becomes “Mirthology” in this hilariously revisionist account of the war between the Greek gods and the Titans. Outraged by the version of events promulgated by his boastful little brother Zeus in The Big Fat Book of Greek Myths, Hades enlists a (what else?) ghost writer to help set the record straight. True, Sky Daddy Cronus did eat his children Hades, Hera, Demeter, and Poseidon, but it was their mother Rhea, not Zeus, who supplied the herbs that made Cronus finally barf them up. Similarly, when the gods needed help against Team Titan in the Olympic Games’ climactic kickstone match, it was Hades who not only sprung allies from an underworld jail, but saved the day again when mighty Typhon attacked. And how did Zeus repay the debt? By cheating Hades out of Rulership of the Universe in a crooked poker game. Is it any wonder that Hades took a gig in the Underworld—“It’s my job to make sure that the ghosts of those who were good in life get to go to an eternal rock concert. . . . The ghosts of the not so good? They have to wander around, trying to memorize an endless list of really hard spelling words. And the ghosts of the wicked? You don’t want to know”—to escape all of his squabbling sibs? The disgruntled deity promises more exposés (“ ‘I think I’ll call it Phone Home, Persephone!’ ”) to come. The sooner the better. (Fiction. 10-13)
Pub Date: Aug. 1, 2002
ISBN: 0-7868-0857-8
Page Count: 160
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2002
Year-round fun.
Set in 1937 during the so-called “Roosevelt recession,” tight times compel Mary Alice, a Chicago girl, to move in with her grandmother, who lives in a tiny Illinois town so behind the times that it doesn’t “even have a picture show.”
This winning sequel takes place several years after A Long Way From Chicago (1998) leaves off, once again introducing the reader to Mary Alice, now 15, and her Grandma Dowdel, an indomitable, idiosyncratic woman who despite her hard-as-nails exterior is able to see her granddaughter with “eyes in the back of her heart.” Peck’s slice-of-life novel doesn’t have much in the way of a sustained plot; it could almost be a series of short stories strung together, but the narrative never flags, and the book, populated with distinctive, soulful characters who run the gamut from crazy to conventional, holds the reader’s interest throughout. And the vignettes, some involving a persnickety Grandma acting nasty while accomplishing a kindness, others in which she deflates an overblown ego or deals with a petty rivalry, are original and wildly funny. The arena may be a small hick town, but the battle for domination over that tiny turf is fierce, and Grandma Dowdel is a canny player for whom losing isn’t an option. The first-person narration is infused with rich, colorful language—“She was skinnier than a toothpick with termites”—and Mary Alice’s shrewd, prickly observations: “Anybody who thinks small towns are friendlier than big cities lives in a big city.”
Year-round fun. (Fiction. 11-13)Pub Date: Oct. 1, 2000
ISBN: 978-0-8037-2518-8
Page Count: 144
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)
Pub Date: June 1, 2001
ISBN: 0-689-82594-3
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
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