A deserving tribute to a designer who wanted only the best.
With flowers and fancy fabrics, Black fashion designer Ann Lowe created gowns for the rich and famous, breaking color barriers in dress design.
Messner and Powell chronicle Lowe’s story; from her Alabama childhood in a dressmaking family to a salon on New York City’s Madison Avenue, it’s a life of breaking racial barriers, where ugly incidents contrast with the soft fabrics, delicate lace, and sparkles. In New York in 1917, she took sewing lessons at the S.T. Taylor School but was forced to sew in a separate room, away from the White students. For years, her employers didn’t credit her work. Lowe is most famous for her dresses for Jacqueline Kennedy’s wedding, but even this climactic achievement is balanced with an account of confronting racism in her life—when Lowe arrived to deliver the dresses, she was told to use the back door but refused, threatening to take the gowns with her if she wasn’t allowed in through the front entrance. Fittingly, the final spread shows a triumphant Lowe with her own shop, where her name will appear on the labels as well as the door. Robinson’s digital art, full of textures, curves, and color, is perfectly suited to the subject, while Messner and Powell’s evocative, often alliterative text begs to be read aloud. (Powell had written her thesis on the designer and was in the process of organizing a museum exhibit of her gowns when she died.) (This book was reviewed digitally.)
A deserving tribute to a designer who wanted only the best. (author’s note, quotations, bibliography) (Informational picture book. 5-10)Pub Date: Oct. 18, 2022
ISBN: 978-1-4521-6160-0
Page Count: 56
Publisher: Chronicle Books
Review Posted Online: Sept. 13, 2022
Kirkus Reviews Issue: Oct. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
A work whose lyrical and artistic genius only becomes more apparent upon rereads.
A journey through American music history as shaped by Black artists and traditions.
Fittingly, given the U.S.’s long and complicated racial history, this work takes its title from the beloved hymn “Amazing Grace,” written by a slave trader turned abolitionist. The book begins on the African plains: “Listen to the fireside chorus / of the motherland / to the talking drums / dancing beneath the gold sun / that beat a bold tapestry / of yesterday’s stories / and tomorrow’s dreams.” Likewise, the author has created a beautiful tapestry, woven with song titles and musical references. With each introduction to a different genre, he implores readers to “listen.” Laced with powerful imagery, alliteration, and onomatopoeia (“BUM-DUN! BUM-DUN!”), his verse begs to be sung. Taking a comprehensive approach, Alexander explores regional styles such as go-go alongside internationally known genres, including gospel, jazz, and hip-hop. Palmer’s distinctive illustrations offer the perfect accompaniment. Bold colors set the mood, while his brush strokes evoke movement and convey strong emotion as he depicts everything from enslaved people joyfully dancing in New Orleans’ Congo Square to fists raised high for Black power to performances by Chuck Berry, Prince, Lauryn Hill, and other musicians. Detailed backmatter defines terms and explains the significance of the music referenced.
A work whose lyrical and artistic genius only becomes more apparent upon rereads. (Informational picture book. 5-10)Pub Date: Jan. 14, 2025
ISBN: 9780316442497
Page Count: 48
Publisher: Little, Brown
Review Posted Online: Oct. 12, 2024
Kirkus Reviews Issue: Nov. 15, 2024
SEEN & HEARD
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