Celebrates and empowers the women who bear witness to injustice and tell about it.
A college student is forced to face past cruelties and mistakes when a childhood friend is murdered.
Rachel Nardelli, a senior at Denman College, feels stuck and uncertain about her future. She’s isolated herself from her fellow journalism students, committed instead to her toxic boyfriend, Cam, who flirts with freshman girls during the epic parties he throws in his dorm room while Rachel drinks to the point of blacking out. One night she thinks she sees Alison Petrucci, a friend from her childhood, leaving one of Cam’s parties; when her former friend’s body is discovered the next morning, Rachel is forced to reveal some of her darkest, most shameful adolescent memories as the journalism team investigates. The novel unfolds through these two timelines: the present day, as the journalism students look into Alison’s murder with the help of Michaela Stannard, a sympathetic faculty member; and the past, where we learn about how Rachel and Alison became best friends—and then how the friendship was picked apart and destroyed. There is a mystery here, but the book is more truly an exploration of adolescent friendship, bullying, and social pressures, plus the guilt that follows these broken relationships. Secondarily, it’s a condemnation of male misbehavior and entitlement. And thirdly, it’s a story of how a young writer finds her path with the right guidance and support. Rachel doesn’t always come across as the most relatable or sympathetic protagonist, but she is shatteringly human, and in that authenticity lies her appeal. “Be bold, write about the things you care about, not just the things you think you should,” Stannard challenges Rachel in the end. And so, Rachel—and Russo—do.
Celebrates and empowers the women who bear witness to injustice and tell about it.Pub Date: July 15, 2025
ISBN: 9780593850688
Page Count: 304
Publisher: Putnam
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
BOOK REVIEW
Although it lacks the surgical precision of Slaughter’s very best nightmares, this one richly earns its title.
More than a decade after a Georgia man is convicted of a monstrous double murder, an uncomfortably similar crime frees him and resets the search for the guilty party.
In Clifton County, home to the Rich Cliftons and the other Cliftons, the disappearance of teens Madison Dalrymple and Cheyenne Baker during the Halloween festivities hits everyone in North Falls hard. Working with her father, Sheriff Gerald Clifton, Deputy Emmy Lou Clifton hears the clock ticking down as she races frantically to get leads on the two friends, who’d been secretly plotting to take off for Atlanta after some undisclosed big score. As a longtime friend of Madison’s mother, Hannah, Emmy hopes against hope to find the missing teens before they’re both dead. By the time Emmy’s hopes are dashed, two unpleasantly likely suspects with strong attachments to underage sex partners have emerged, and one of them ends up in prison. In a bold move, Slaughter jumps over the next 12 years to the case of Paisley Walker, a 14-year-old whose disappearance catches the eye of retiring FBI criminal psychologist Jude Archer, who promptly crosses the country to come to Clifton County and take charge—um, that is, consult—on this heartrending new investigation. Emmy, suddenly and shockingly deprived of counsel from the parents who’ve supported her all her life, doesn’t get along any better with Jude than with the larger circle of Cliftons and the Clifton-Cliftons. But together they identify one new suspect, then another, before a shootout that arrives so early you just know there are still more surprises to come.
Although it lacks the surgical precision of Slaughter’s very best nightmares, this one richly earns its title.Pub Date: Aug. 12, 2025
ISBN: 9780063336773
Page Count: 448
Publisher: Morrow/HarperCollins
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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