Linguistically enthralling, this is a novel that will surely make you orbit into the ineffable.
A second edition of Zambreno’s (Green Girl, 2014, etc.) 2010 debut novel takes its readers on a linguistic ride through an American family’s breaking point.
With a new introduction from Lidia Yuknavitch, Zambreno’s novel offers an unconventional kind of narrative. Structured in three distinct voices, the novel is composed and punctuated by its moments of narrative and linguistic crisis. Maggie, the depressive, self-harming, renegade daughter, permeates the book with a language of fear and rebellion (“Maggie wants nothing more than to be slapped around a little, she wants to be punished, she wants to be punished for her bad, bad, soul”). On the other hand, Mommy, the unstable and unfair mother, embodies a word bank of expectation and disappointment (“What does a psychologist do Mommy wonders? Except make trouble. Except blame everything on the Mommy, blame everything on the Mommy and Daddy, that’s what a psychologist does, and who needs a psychologist when you have Jesus?”). Zambreno has also strategically created the character of Malachi, who remains mysterious and existential throughout the book (“He takes out a match, on which is traced one of his stars, symbols. He sets fire onto his paper city”). To try and pin a storyline to this novel wouldn’t do it justice. Rather, it exposes the everyday life of most contemporary American families, except that day-to-day activities have been replaced with the semiotic. The novel does provide a reader with enough psychosocial reference points for one to identify with each character’s psychoses. For example, Maggie constantly questions her sexuality, and Mommy systematically wants to control everything about her and her daughter’s lives. These neuroses are not foreign to Americans living according to a national standard that was forced upon them by history and culture. Zambreno is a master at peeling off the denial and rubbing the reality of this time in our faces.
Linguistically enthralling, this is a novel that will surely make you orbit into the ineffable.Pub Date: Jan. 17, 2017
ISBN: 978-0-06-257268-4
Page Count: 192
Publisher: Perennial/HarperCollins
Review Posted Online: Oct. 18, 2016
Kirkus Reviews Issue: Nov. 1, 2016
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.
When tragedy strikes, a mother and daughter forge a new life.
Morgan felt obligated to marry her high school sweetheart, Chris, when she got pregnant with their daughter, Clara. But she secretly got along much better with Chris’ thoughtful best friend, Jonah, who was dating her sister, Jenny. Now her life as a stay-at-home parent has left her feeling empty but not ungrateful for what she has. Jonah and Jenny eventually broke up, but years later they had a one-night stand and Jenny got pregnant with their son, Elijah. Now Jonah is back in town, engaged to Jenny, and working at the local high school as Clara’s teacher. Clara dreams of being an actress and has a crush on Miller, who plans to go to film school, but her father doesn't approve. It doesn’t help that Miller already has a jealous girlfriend who stalks him via text from college. But Clara and Morgan’s home life changes radically when Chris and Jenny are killed in an accident, revealing long-buried secrets and forcing Morgan to reevaluate the life she chose when early motherhood forced her hand. Feeling betrayed by the adults in her life, Clara marches forward, acting both responsible and rebellious as she navigates her teenage years without her father and her aunt, while Jonah and Morgan's relationship evolves in the wake of the accident. Front-loaded with drama, the story leaves plenty of room for the mother and daughter to unpack their feelings and decide what’s next.
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.Pub Date: Dec. 10, 2019
ISBN: 978-1-5420-1642-1
Page Count: 400
Publisher: Montlake Romance
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK TO SCREEN
BOOK TO SCREEN
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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