by Katelyn Aronson ; illustrated by Eve Farb ‧ RELEASE DATE: Aug. 17, 2021
A heartwarming, funny lesson in keeping one’s cool.
Working in a china shop tests a bull’s anger-management skills.
A burly bull and former linebacker, Clovis has a “temper as big as he was,” but since he started running his grandmother Grace’s china shop, he feels calmer. Repeating Granny’s mantra—“Grace, grace. Nothing broken to replace”—Clovis carefully unpacks and stacks fine porcelain. One day some former football rivals appear outside the shop, mocking Clovis by calling him a “wimp” and a “bull in a china shop.” His anger rising, Clovis feels the urge to charge, but deep-breathing techniques help him ignore the hecklers. On dusting day, Clovis happily polishes glassware when the hecklers return, insulting his cleaning efforts. Stroking the cat, Clovis again keeps his cool. They come back once more as Clovis arranges a tea display in the window. When the hecklers insult Granny Grace and break her favorite teacup, Clovis is “all out of grace.” Leaving smashed china in his wake, a raging Clovis chases the cowering hecklers into an alley, where he composes himself to channel Grace, then offers them tea, with surprising results. Painterly illustrations cleverly juxtapose Clovis, with his menacing horns and barrel-chested, bulging-biceps, linebacker physique, with the rather fussy china shop. Humorous scenes of Clovis meditating in lotus pose, lighting candles, pouring tea into delicate cups, and arranging flowers contrast with powerful close-ups of his brief descent into raging-bull mode, enhanced by exaggerated facial expressions and dramatic lighting.
A heartwarming, funny lesson in keeping one’s cool. (Picture book. 4-8)Pub Date: Aug. 17, 2021
ISBN: 978-1-64567-213-5
Page Count: 32
Publisher: Page Street
Review Posted Online: June 1, 2021
Kirkus Reviews Issue: June 15, 2021
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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