ORPHELINE

While beachcombing, young Cora encounters a merchild stranded on the shore after a storm.

In time, the foundling’s name is revealed as Orpheline, a cognate of orphan, just as Cora echoes coral. The artfulness of these name choices is matched by Phumiruk’s care in illustrating the characters in a realistic style that lends credulity to the blurring of lines between fantasy and reality. Though startled when Cora brings the merbaby home, Mama allows the child to look after Orpheline in cozy domestic scenes of bathtime, play, and bedtime. The story unfolds like Marjorie Newman and Patrick Benson’s Mole and the Baby Bird (2002), evoking the adage “If you love someone, set them free.” Cora does love Orpheline, and though Orpheline comes to love Cora, she longs for her underwater home, with a magical shell around her neck connecting her to her mermaid mother’s voice. Encouraged by Mama, Cora returns Orpheline to the beach after another storm, where a mermother-and-child reunion ensues. The touching conclusion affirms Cora and Orpheline’s lasting connection, their bond represented and enabled by a magical seashell necklace of Cora’s own. Orpheline has peachy skin, light brown hair, and a green fishtail; Cora is pale-skinned with dark hair.

A tale to get lost in.