A striking literary fantasy informed by Arden's deep knowledge of and affection for this time and place.
A satisfying conclusion to a trilogy set in medieval times in the area on the verge of becoming Russia.
In a luxuriously detailed yet briskly suspenseful follow-up to The Bear and the Nightingale (2017) and The Girl in the Tower (2018), Arden's historically based fantasy follows heroic Vasya—a young woman with a strong connection to the spirits of the place where she lives—as she attempts to save her family and her country from evil forces. Because the novel starts with a bang where the preceding volume left off, with Moscow nearly burned to a crisp by a Firebird imperfectly controlled by Vasya, readers are advised to backtrack to the two earlier books rather than attempt to sort out all the characters and backstory on the fly. Among the humans are Vasya's sister, Olga, compromised by her desire for wealth and position; her brother, Sasha, a monk with a taste for the military life; Grand Prince Dmitrii; and corrupt priest Konstantin. Among the inhuman are the warring brothers Morozko, the winter-king with whom Vasya conducts a conflicted romance, and Medved, a demon addicted to chaos. Arden keeps the narrative fresh by sending Vasya questing into fantastic realms, each with its own demanding set of rules and its own alluring or forbidding geography, and by introducing new “chyerti,” demons or spirits, including an officious little mushroom spirit who indiscriminately plies Vasya with fungi, some edible and some distinctly not. Fans of Russian mythology will be pleased to find that Baba Yaga puts in a cameo appearance to straighten out some of the complicated genealogy. The trilogy leads up to the Battle of Kulikovo, which many consider the beginning of a united Russia. Arden neatly establishes parallels between Vasya's internal struggles, between attachment and freedom or the human world and the spiritual one, for example, and those taking place in the world around her.
A striking literary fantasy informed by Arden's deep knowledge of and affection for this time and place.Pub Date: Jan. 8, 2019
ISBN: 978-1-101-88599-4
Page Count: 384
Publisher: Del Rey
Review Posted Online: Oct. 1, 2018
Kirkus Reviews Issue: Oct. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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