by Katherine Kirkpatrick ‧ RELEASE DATE: Oct. 15, 2002
In 1865 orphans were given few choices in life, but 16-year-old Emeline finds the courage to make a journey that promises to change the course of hers forever. After working for three years in a mill in Lowell, Massachusetts, Emeline is anxious for a change, so when Asa Mercer announces that he will be traveling with orphans and war widows for the distant port of Seattle, she eagerly signs up. Her trusting nature initially hides the truth about the voyage, but soon she realizes that being a “Mercer Girl” might not be what she initially thought. A long and hard journey around the tip of South America leaves plenty of time for intrigue, romance, and mystery as the passengers and crew begin to become acquainted with one another. The adventure does not end when they dock on the west coast; instead Emeline learns that Asa has attempted to finance this trip on the other end by selling the Mercer Girls as brides to lonely settlers. Written in the form of a diary, Emeline and her adventures come alive; only a few missteps in the length and pace of the narrative detract from its appeal. A lively look at a slice of American history. (Historical fiction. 12-15)
Pub Date: Oct. 15, 2002
ISBN: 0-8234-1580-5
Page Count: 256
Publisher: Holiday House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2002
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by Nikki Grimes ‧ RELEASE DATE: Jan. 1, 2001
At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in...
This is almost like a play for 18 voices, as Grimes (Stepping Out with Grandma Mac, not reviewed, etc.) moves her narration among a group of high school students in the Bronx.
The English teacher, Mr. Ward, accepts a set of poems from Wesley, his response to a month of reading poetry from the Harlem Renaissance. Soon there’s an open-mike poetry reading, sponsored by Mr. Ward, every month, and then later, every week. The chapters in the students’ voices alternate with the poems read by that student, defiant, shy, terrified. All of them, black, Latino, white, male, and female, talk about the unease and alienation endemic to their ages, and they do it in fresh and appealing voices. Among them: Janelle, who is tired of being called fat; Leslie, who finds friendship in another who has lost her mom; Diondra, who hides her art from her father; Tyrone, who has faith in words and in his “moms”; Devon, whose love for books and jazz gets jeers. Beyond those capsules are rich and complex teens, and their tentative reaching out to each other increases as through the poems they also find more of themselves. Steve writes: “But hey! Joy / is not a crime, though / some people / make it seem so.”
At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in the poetry. (Fiction. 12-15)Pub Date: Jan. 1, 2001
ISBN: 0-8037-2569-8
Page Count: 176
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2001
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by Nikki Grimes ; illustrated by Cathy Ann Johnson
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by John Boyne ‧ RELEASE DATE: Sept. 12, 2006
Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point.
After Hitler appoints Bruno’s father commandant of Auschwitz, Bruno (nine) is unhappy with his new surroundings compared to the luxury of his home in Berlin.
The literal-minded Bruno, with amazingly little political and social awareness, never gains comprehension of the prisoners (all in “striped pajamas”) or the malignant nature of the death camp. He overcomes loneliness and isolation only when he discovers another boy, Shmuel, on the other side of the camp’s fence. For months, the two meet, becoming secret best friends even though they can never play together. Although Bruno’s family corrects him, he childishly calls the camp “Out-With” and the Fuhrer “Fury.” As a literary device, it could be said to be credibly rooted in Bruno’s consistent, guileless characterization, though it’s difficult to believe in reality. The tragic story’s point of view is unique: the corrosive effect of brutality on Nazi family life as seen through the eyes of a naïf. Some will believe that the fable form, in which the illogical may serve the objective of moral instruction, succeeds in Boyne’s narrative; others will believe it was the wrong choice.
Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point. (Fiction. 12-14)Pub Date: Sept. 12, 2006
ISBN: 0-385-75106-0
Page Count: 224
Publisher: David Fickling/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2006
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SEEN & HEARD
SEEN & HEARD
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