Handsomely designed, this is a beautiful tribute to America and Americana.
What better way to make this patriotic song meaningful to kids than with these lively illustrations by 10 different illustrators?
Each spread portrays a line or phrase from the song with a sidebar quote from a president (cherry-picking from Washington to Obama). For “For amber waves of grain,” Mary GrandPré depicts three kids and a dog pretending to be sailing on a boat that’s a dead tree amid a field of wheat; this is paired with a quote from Thomas Jefferson: “I believe…that every human mind feels pleasure in doing good to another.” An interior spread (“with brotherhood”) by LeUyen Pham repeats the cover, picturing kids wearing red-and-white striped outfits representing the flag’s stripes and kids in blue sweaters with stars completing the flag. The quote is from Theodore Roosevelt: “Keep your eyes on the stars, but remember to keep your feet on the ground.” The other illustrators are Diane Goode, Jon J Muth, Yuyi Morales, John Hendrix, Bryan Collier, Chris Soentpiet, Raúl Colon and Sonia Lynn Sadler.
Handsomely designed, this is a beautiful tribute to America and Americana. (selected national landmarks and symbols, biographical note, song lyrics, definition of democracy) (Picture book. 5-9)Pub Date: Jan. 1, 2013
ISBN: 978-0-545-49207-2
Page Count: 32
Publisher: Orchard/Scholastic
Review Posted Online: Nov. 30, 2012
Kirkus Reviews Issue: Dec. 15, 2012
BOOK REVIEW
BOOK REVIEW
Weatherford and Christie dazzlingly salute African-Americans’ drive to preserve their dignity and pride.
Count down the days until Sunday, a day for slaves in New Orleans to gather together and remember their African heritage.
In rhyming couplets, Weatherford vividly describes each day of nonstop work under a “dreaded lash” until Sunday, when slaves and free blacks could assemble in Congo Square, now a part of New Orleans’ Louis Armstrong Park and on the National Register of Historic Places. Musicians “drummed ancestral roots alive” on different traditional instruments, and men and women danced. They also exchanged information and sold wares. The poetry is powerful and evocative, providing a strong and emotional window into the world of the slave. Christie’s full-bleed paintings are a moving accompaniment. His elongated figures toil in fields and in houses with bent backs under the watchful eyes of overseers with whips. Then on Sunday, they greet one another and dance with expressively charged spirits. One brilliant double-page spread portrays African masks and instruments with swirling lines of text; it is followed by another with four dancers moving beautifully—almost ethereally—on a vibrant yellow collage background. As the author notes, jazz would soon follow from the music played in Congo Square.
Weatherford and Christie dazzlingly salute African-Americans’ drive to preserve their dignity and pride. (foreword, glossary, author’s note) (Picture book. 5-9)Pub Date: Jan. 5, 2016
ISBN: 978-1-4998-0103-3
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: Oct. 13, 2015
Kirkus Reviews Issue: Nov. 1, 2015
Utterly compelling.
The authors of Fatty Legs (2010) distill that moving memoir of an Inuit child’s residential school experience into an even more powerful picture book.
“Brave, clever, and as unyielding” as the sharpening stone for which she’s named, Olemaun convinces her father to send her from their far-north village to the “outsiders’ school.” There, the 8-year-old receives particularly vicious treatment from one of the nuns, who cuts her hair, assigns her endless chores, locks her in a dark basement and gives her ugly red socks that make her the object of other children’s taunts. In her first-person narration, she compares the nun to the Queen in Alice in Wonderland, a story she has heard from her sister and longs to read for herself, subtly reminding readers of the power of literature to help face real life. Grimard portrays this black-cloaked nun with a scowl and a hooked nose, the image of a witch. Her paintings stretch across the gutter and sometimes fill the spreads. Varying perspectives and angles, she brings readers into this unfamiliar world. Opening with a spread showing the child’s home in a vast, frozen landscape, she proceeds to hone in on the painful school details. A final spread shows the triumphant child and her book: “[N]ow I could read.”
Utterly compelling. (Picture book/memoir. 5-9)Pub Date: April 1, 2013
ISBN: 978-1-55451-490-8
Page Count: 32
Publisher: Annick Press
Review Posted Online: Feb. 17, 2013
Kirkus Reviews Issue: March 1, 2013
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