by Katherine Pancol ; translated by William Rodarmor ; Helen Dickinson ‧ RELEASE DATE: Nov. 1, 2013
Aside from introducing a few contrived plot twists, Pancol deftly manages the constellation of characters in a cleareyed,...
As a knife accidentally slices into her wrist, Joséphine realizes she would be glad to simply slip away from her life.
At that moment, Joséphine understands that her husband, Antoine, will never find work. He’ll carry on with his mistress, and she’ll have to put food on the table. As a medieval historian, her financial prospects are slim. Out of the blue, her chic sister, Iris, offers her a Faustian bargain: Write a novel set in her beloved 12th century, but allow Iris to claim authorship. Joséphine will get the money, but Iris will get the fame—the spotlight has always been Iris’ preferred residence. Once a promising film student, Iris staggered everyone 10 years ago by marrying Phillipe, a staid French attorney, settling into a posh lifestyle and abandoning her ambition. So Joséphine sets to work. She's complemented by a richly drawn cast of supporting characters, including the darkly handsome Luca, whom she befriends at the library, and her haughty teenage daughter, Hortense, who alternates between disdainfully humiliating her mother and shamelessly wooing her wealthy Aunt Iris. Meanwhile, Marcel, Iris and Joséphine’s stepfather, cavorts with his beloved secretary. And below the equator, Antoine manages a crocodile farm in Kenya, where he spends his evenings gazing into their hypnotic yellow eyes, looking for the answer to his problems. An international best-seller, this is the first of Pancol’s novels to be translated into English and the first in a trilogy following Joséphine’s family.
Aside from introducing a few contrived plot twists, Pancol deftly manages the constellation of characters in a cleareyed, warmly funny tale.Pub Date: Nov. 1, 2013
ISBN: 978-0-14-312155-8
Page Count: 400
Publisher: Penguin
Review Posted Online: April 15, 2013
Kirkus Reviews Issue: June 1, 2013
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by Genki Kawamura ; translated by Eric Selland ‧ RELEASE DATE: March 12, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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