Paterson, who has already earned regard with her historical fiction set in Japan, proves to be just as eloquent and assured when dealing with contemporary American children—and Americans of very different backgrounds at that. Jess, from an uneducated family in rural Virginia, has been practicing all summer to become the fastest runner at school—a reputation more desirable than his present image as "that crazy little kid who draws all the time." But Jess is beaten in the first race of the fifth-grade year by a newcomer—who is also the first girl ever to invade the boys' part of the playground. Soon Jess and Leslie, whose parents have moved from the suburbs because they're "reassessing their value structure," become close friends. On her lead they create Terabithia, a secret magic kingdom in the woods, and there in the castle stronghold she tells him wonderful stories. . . about a gloomy prince of Denmark, or a crazy sea captain bent on killing a whale. She lends him her Narnia books and lectures him on endangered predators. . . but he teaches her compassion for a mean older girl at school. Indeed Leslie has brought enchantment into his life. Then one morning, with the creek they must swing over to reach Terabithia dangerously swollen by rain, and Jess torn between his fear of the maneuver and his reluctance to admit it, he is saved by an invitation to visit the National Gallery with his lovely music teacher. The day is perfect—but while he is gone Leslie is killed, swinging into Terabithla on their old frayed rope. Jess' feelings range from numb denial to rage to guilt to desolation (at one point the thought occurs that "I am now the fastest runner in the fifth grade")—typical grief reactions, but newly wrenching as Jess is no representative bibliotherapeutic model. By the end, he is ready to think about giving back to the world something of what he had received from Leslie. You'll remember her too.
Pub Date: Sept. 14, 1977
ISBN: 0061227285
Page Count: 180
Publisher: T.Y. Crowell
Review Posted Online: Oct. 26, 2011
Kirkus Reviews Issue: Sept. 1, 1977
SEEN & HEARD
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
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