adapted by Katherine Paterson & illustrated by Alexander Koshkin ‧ RELEASE DATE: March 18, 1996
The story of Balaam's ass is a comic item found in the Old Testament, here invested with great solemnity and dread. Balaam, the greedy soothsayer, has been asked by Balak, king of Moab, to lay a curse on his Israelite neighbors. An angel visits Balaam's dreams to warn him off—the Israelites are being watched over by a higher power—but he sets out for Moab anyway, with visions of his reward still in his head. Balaam's ass saves his life by dodging the angel's fiery sword, and Balaam winds up cursing Balak in words that God puts in his mouth. Paterson (A Midnight Clear, 1995, etc.) makes her adaptation fluid and briskly paced; Koshkin's illustrations are lovely, swarming with energy and color. Of particular interest is the afterword, which offers a brief overview of biblical writers and comments on the distinctiveness of Balaam's story. (Picture book. 6-10)
Pub Date: March 18, 1996
ISBN: 0-395-68969-4
Page Count: 40
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1996
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by Katherine Paterson ; illustrated by Lisa Aisato
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by Joyce Milton & illustrated by Larry Schwinger ‧ RELEASE DATE: April 1, 1992
At ``Step 2'' in the useful ``Step into Reading'' series: an admirably clear, well-balanced presentation that centers on wolves' habits and pack structure. Milton also addresses their endangered status, as well as their place in fantasy, folklore, and the popular imagination. Attractive realistic watercolors on almost every page. Top-notch: concise, but remarkably extensive in its coverage. A real bargain. (Nonfiction/Easy reader. 6-10)
Pub Date: April 1, 1992
ISBN: 0-679-91052-2
Page Count: 48
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1992
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by Joyce Milton ; illustrated by Franco Tempesta
by Lois Lowry & illustrated by Middy Thomas ‧ RELEASE DATE: Sept. 1, 2002
Gooney Bird Greene (with a silent E) is not your average second grader. She arrives in Mrs. Pidgeon’s class announcing: “I’m your new student and I just moved here from China. I want a desk right smack in the middle of the room, because I like to be right smack in the middle of everything.” Everything about her is unusual and mysterious—her clothes, hairstyles, even her lunches. Since the second graders have never met anyone like Gooney Bird, they want to hear more about her. Mrs. Pidgeon has been talking to the class about what makes a good story, so it stands to reason that Gooney will get her chance. She tells a series of stories that explain her name, how she came from China on a flying carpet, how she got diamond earrings at the prince’s palace, and why she was late for school (because she was directing a symphony orchestra). And her stories are “absolutely true.” Actually, they are explainable and mesh precisely with the teacher’s lesson, more important, they are a clever device that exemplify the elements of good storytelling and writing and also demonstrate how everyone can turn everyday events into stories. Savvy teachers should take note and add this to their shelf of “how a story is made” titles. Gooney Bird’s stories are printed in larger type than the narrative and the black-and-white drawings add the right touch of sauciness (only the cover is in color). A hybrid of Harriet, Blossom, and Anastasia, irrepressible Gooney Bird is that rare bird in children’s fiction: one that instantly becomes an amusing and popular favorite. (Fiction. 6-9)
Pub Date: Sept. 1, 2002
ISBN: 0-618-23848-4
Page Count: 96
Publisher: Walter Lorraine/Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2002
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by Lois Lowry ; illustrated by Jonathan Stroh
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