On his deathbed, the wise old king decrees that his arrogant son will not inherit the crown until he marries "a woman who is your equal in beauty and intelligence and wealth." Angry, and misunderstanding this "blessing," Prince Raphael sets about impoverishing his people and rejecting a procession of princesses who may excel in one quality, but never in three. In the meantime, Rosamund, a shepherd lass, shares the last of her grain with a hungry (but gentle) wolf; magically, his presence replenishes the grain and he recognizes her as queen-to-be. He sends her to the palace, where her wisdom and compassion charm Raphael. Still, he must now prove himself to her: leaving Rosamund to put his kingdom to rights, he repairs to her hut, where the animals help him learn cooperation, competence, and humility. There's a lesson here, of course, but Paterson (unlike many who use folkloric motifs to project contemporary messages) shapes her tale with such grace, narrative skill, and good humor that the lesson is a pleasure. Vagin, a Russian introduced with Here Comes the Cat! (1989), offers sumptuous, elegantly detailed illustrations of the court, bordered in serene pastoral landscapes, in more muted colors, which also adorn chapter heads. A handsome book; an entertaining, thought-provoking story. (Fiction/Young reader. 7-10)
Pub Date: Sept. 30, 1992
ISBN: 0-06-022496-7
Page Count: 64
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1992
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
Trisha is ready to start at a new school, where no one will know she has dyslexia. At first, she is heartbroken to be in Miss Peterson’s special-ed class, aka, “the junkyard.” But Miss Peterson treats the children as anything but junk, showing them that everyone has a unique talent. Polacco’s trademark style is fully present here; her sensitively drawn alter ego shines with depth of feeling. When bullying occurs, Miss Peterson proves her students are worthwhile by planning a junkyard field trip, where they find valuable objects to be used in exciting ways. Trisha’s group repairs a plane, and the class buys an engine for it. Then a beloved class member dies, and the children must find a way to honor him. While the plot meanders somewhat, the characters are appealing, believable and provide a fine portrayal of a truly special class. Children will be drawn in by the story’s warmth and gentle humor and will leave with a spark of inspiration, an appreciation of individual differences and a firm anti-bullying message, all underscored by the author’s note that concludes the book. (Picture book. 7-10)
Pub Date: July 1, 2010
ISBN: 978-0-399-25078-1
Page Count: 48
Publisher: Philomel
Review Posted Online: May 31, 2010
Kirkus Reviews Issue: June 15, 2010
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