A heartwarming tale of the magic of Christmas, but adults will need to be ready to help children past the rough spots.
A little boy finds a box of old ornaments that come to life on a special Christmas Eve.
Theo’s parents have left him alone with a distracted babysitter. Despondent, Theo makes a wish on a shooting star “to be un-alone.” A rocking horse, a robin, a tin soldier, and an angel wake up to keep him company. Each has its own distinctive personality—the rocking horse eats everything in sight, the little robin has forgotten how to sing, the angel would love to have real feathers for her wings, and the soldier pines for his own true love. They head outside for an evening full of joyful adventures. Rundell’s writing is delightful, but it’s marred by several non sequiturs and discrepancies between text and art. Illustrations throughout clearly show Theo clad in striped pajamas. Yet the text says “Theo thought about his heart, beating hard under his four layers of sweaters.” When Theo and his ornament friends find a princess doll in a toy store, the line “Theo lifted down her box” is followed by “Theo looked up at the doll,” who’s depicted in place on the upper shelf. But great care was given to the book’s beautiful design. Spacious text wraps around illustrations; wide borders are sometimes filled with pictures, and the pages open up to perfectly placed, colorful double-page spreads. Theo, his family, and the humanoid animate toys all present white.
A heartwarming tale of the magic of Christmas, but adults will need to be ready to help children past the rough spots. (Picture book. 4-7)Pub Date: Sept. 18, 2018
ISBN: 978-1-4814-9161-7
Page Count: 64
Publisher: Simon & Schuster
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity.
A holiday-centered spinoff from the duo behind the inspired The Day the Crayons Quit (2013).
With Green Crayon on vacation, how can the waxy ones pull off a colorful St. Patrick’s Day celebration with Duncan, their (unseen) owner? Through their signature combo of cooperation and unwavering enthusiasm, of course. Blue and Yellow collaborate on a field of shamrocks that blends—however spottily—into green. Nearly invisible White Crayon supplies an otherwise unclothed light-skinned leprechaun with undies, and Orange draws a pair of pants that match the wee creature’s iconic beard and hair. Pink applies colors to a vest, and Purple, a natty jacket and boots. Chunky Toddler Crayon contributes a “perfect” scribbly blue hat; Beige and Brown team up for the leprechaun’s harp. In arguably the best bit, Black exuberantly manifests a decidedly unvariegated rainbow, while Gold’s pot of coins is right on the money, hue-wise. Their ardor undimmed by the holiday’s missing customary color, everyone assembles to party. Though the repartee among the crayons isn’t as developed as in previous outings, the book hews close to Daywalt and Jeffers’ winning formula, and there’s still enough here to keep readers chuckling. And, in a droll “wait for it” moment nicely calibrated for storytime, Green returns from vacation, sunglasses and suitcase in hand: “Did I miss anything while I was gone?” (The cover illustrations do hint at some Green-inflected remediation.)
A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity. (Picture book. 4-6)Pub Date: Jan. 2, 2024
ISBN: 9780593624333
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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