by Katherine Tegen & illustrated by Brandon Dorman ‧ RELEASE DATE: Oct. 1, 2012
Though this doesn’t quite match the allure of Michael Garland’s Christmas Magic (2001) or the pure fun of Caralyn and Mark...
This tale of a constructed friend charms with its magic and imagination.
A Friday snow day keeps George home from school, trapped inside and bored as the snow continues to fall. But Saturday is a great play-outside day, so George dons his warm winter clothes. The next few pages are an expository-writing teacher’s dream, as the text and realistic-looking illustrations team up to create a guide to building a snowman. A few household items, some sticks and George’s hard work, and the snowman is complete. Through some unknown magic, George’s snowman comes to life and responds when George offers him a snack. The two spend the day chasing each other and flinging snowballs. On Sunday, a warmer day, George’s snowman doesn’t have as much energy. Monday, a school day, is even hotter. When George gets off the school bus, he finds a small heap of snow decorated with some buttons, a scarf and a carrot (in the illustration, it looks like a jumbled pile of white fleece fabric). But Tuesday brings more snow, and George cannot wait…“to build his snowman again.” Readers will have no doubt that George’s lively snowman will return.
Though this doesn’t quite match the allure of Michael Garland’s Christmas Magic (2001) or the pure fun of Caralyn and Mark Buehner’s Snowmen at Night (2002), it is a nice cross between the two that will have kids rolling snowman pieces with dedicated purpose. (Picture book. 4-8)Pub Date: Oct. 1, 2012
ISBN: 978-0-06-201445-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 11, 2012
Kirkus Reviews Issue: Oct. 1, 2012
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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by Drew Daywalt ; illustrated by Oliver Jeffers
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by Drew Daywalt ; illustrated by Oliver Jeffers
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SEEN & HEARD
SEEN & HEARD
by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Joan Holub ; illustrated by James Dean
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