Moving imagery is muddied by disjointed character representation in a novel that feels overcrowded.
A Texas bayou holds memories and secrets, weaving together people and animals through connected histories.
Buffalo Bayou takes her place as part of an ensemble cast that spans nearly two centuries. Sixteen-year-old Cade Curtis is a white boy who works alongside his father stealing angel statues from cemeteries for an antiques dealer, and Soleil Broussard is a 16-year-old Creole Christian with a tiny honey bear jar tattooed on her wrist. The two attend school together in present-day Houston, Texas, but the story intertwines their connection with stories of slaves and an ocelot in a narrative that runs away like the rushing of a river. Texas is a gorgeous backdrop for the story, eliciting haunting imagery that spotlights the natural beauty of the state. Each character helps piece together a quilt of experiences that stream from the omnipresent bayou who sees, hears, and protects, and the revelations of their overlapping connections are well-paced throughout. The novel is less successful, however, at underscoring why there are so many voices battling for space in the text. Too-short vignettes that are rather haphazardly forced together provide glimpses into the lives of the characters but make it difficult to follow all of the threads. While an author’s note offers historical background explaining the inspiration for the characters, it does not provide sufficient cohesion.
Moving imagery is muddied by disjointed character representation in a novel that feels overcrowded. (author’s note) (Fiction. 13-15)Pub Date: March 12, 2019
ISBN: 978-1-4424-2109-7
Page Count: 336
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: Feb. 9, 2019
Kirkus Reviews Issue: March 1, 2019
Taking up where Libyrinth (2009) left off, the spotlight of this sequel falls on Po and his difficulty adapting to the new culture rising from the life-changing Redemption. Po comes from a female-dominant culture: He’s hostile to men, protective of women and naïve about the motives and manipulations of others. After one transgression too many, he joins a quest searching for an artifact that will restore ecological balance to the deteriorating environment. While its predecessor examined religious/political belief systems, this volume explores differences among the various groups’ gender and sexual mores. Po becomes sexually active and makes dangerous mistakes before changing (quite realistically) his point of view and behavior. Sympathy for Po will carry readers until the excitement and suspense of the quest take over. Themes of abuse of authority, the nature of prejudice and the power of the written word remain from the first book—but with tricky and interesting twists. Background information is skillfully integrated into the plot in this clever, thought-provoking book that has appeal for fans of serious science fiction and fantasy. (Science fiction. 13-15)
Pub Date: Nov. 1, 2010
ISBN: 978-0-7653-2097-1
Page Count: 320
Publisher: Tor
Review Posted Online: Sept. 24, 2010
Kirkus Reviews Issue: Oct. 15, 2010
BOOK REVIEW
The Salt trilogy closes with a third generation of children fighting petty but dangerous evils. Hana, a girl from the city's wretched Bawdhouse Burrow, is orphaned when her mother is burned as a witch. Ben grows up far from the city, raised by his grandparents Pearl and Hari in the idyllic village from Gool (2010). When Hana flees the city, she brings with her a terrifying message for those outside its darkness: The Limping Man is coming. He has the terrible power to make people love him even as he torments them, and he plans to wipe out all who stand against him. Since most of the outsiders—Ben's family, the forest Dwellers and "the people without a name"—have mental powers, the Limping Man intends to massacre them. Ben and Hana, along with their allies, must find the Limping Man's secret in order to save their own lives and homes. Ben and Hana’s victories, like those of their parents and grandparents, are local. Even if they do defeat the Limping Man, they cannot vanquish evil from the world; life in the burrows will likely continue to be nasty, brutish and short. The heroes' personalities are defined by their harsh environments, but they reach beyond those limitations. Fantasy heroes who can save only themselves and their loved ones are a welcome change from the usual. (Fantasy. 13-15)
Pub Date: March 1, 2011
ISBN: 978-1-55469-216-3
Page Count: 208
Publisher: Orca
Review Posted Online: Feb. 17, 2011
Kirkus Reviews Issue: Feb. 15, 2011
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