by Kathleen King & Lowey Bundy Sichol ; illustrated by Ramona Kaulitzki ‧ RELEASE DATE: July 25, 2023
Had this tale been subjected to as much testing as the titular cookies, how much tastier it could have been.
King, who in 2000 founded Tate’s Bake Shop, offers halcyon reminiscences about her earliest entrepreneurial days.
Kathleen may only be 11, but she’s responsible for much of the family’s cooking and baking. She strikes up a deal with her dad, Tate: In exchange for baking and selling cookies at the family’s farm stand this summer, she can use the money on new clothes. So Kathleen sets out to create the best chocolate chip cookies, using trial and error not only to tweak her recipes, but also to find a way to outsell the competition. A note at the end explains how early experience led to her company (named after her dad); also included is a recipe, not for chocolate chip cookies but molasses ones. This story doesn’t know what it wants to be. Is it a guide to finding gaps in the market and innovating or a memoir of self-discovery? Stilted dialogue feels straight out of a business book for kids. “How are Kathleen’s cookies today?” “Great….But how do I make them so they’re the only cookies people want to buy?” Confusion extends to the illustrations, where 11-year-old Kathleen is depicted as particularly young and where perspective is at times askew. Kathleen and Tate both present White in the artwork. (This book was reviewed digitally.)
Had this tale been subjected to as much testing as the titular cookies, how much tastier it could have been. (Informational picture book. 4-7)Pub Date: July 25, 2023
ISBN: 9780593485668
Page Count: 40
Publisher: Random House
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
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by Lawrence Roberts & Sally-Ann Roberts ; illustrated by Jestenia Southerland ‧ RELEASE DATE: May 20, 2025
A brief but sweet snapshot of an inspiring girl who finds hope in song.
Through the power of music, Lucimarian Tolliver is reminded of what’s important.
Lucy is one of the only children of African descent on her block—called Lucy Street—in 1930s Akron, Ohio, but all her neighbors share one commonality: poverty. Lucy’s carefree spirit is dampened when her family’s furniture is repossessed one day. She visits her grandfather, who comforts her by singing the folk standard “This Little Light of Mine.” Grandpa tells Lucy that she’s destined for greatness and that she should never stop singing, even through life’s toughest moments. Back at home, Lucy’s father scolds her for singing at the dinner table, so she quickly finishes eating and wanders outside and sings into the night. Her voice reaches her family and neighbors, who are all touched by her song. Digital illustrations evoke the time period in muted tones, featuring endearing characters with simple yet expressive features. The visual subject matter is repetitive from page to page, as are the incorporated lyrics of “This Little Light of Mine.” Based on Lucimarian Tolliver’s experiences growing up during the Depression, the text contains an epilogue but lacks backmatter detailing historical context or more information about Lucy’s life. Though the themes of optimism and the importance of family, faith, and music shine through the text, readers may be left with more questions than answers.
A brief but sweet snapshot of an inspiring girl who finds hope in song. (Picture-book biography. 5-7)Pub Date: May 20, 2025
ISBN: 9780063222540
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Lisbeth Kaiser ; illustrated by Marta Antelo ‧ RELEASE DATE: Sept. 7, 2017
It’s a bit sketchy of historical detail, but it’s coherent, inspirational, and engaging without indulging in rapturous...
A first introduction to the iconic civil rights activist.
“She was very little and very brave, and she always tried to do what was right.” Without many names or any dates, Kaiser traces Parks’ life and career from childhood to later fights for “fair schools, jobs, and houses for black people” as well as “voting rights, women’s rights and the rights of people in prison.” Though her refusal to change seats and the ensuing bus boycott are misleadingly presented as spontaneous acts of protest, young readers will come away with a clear picture of her worth as a role model. Though recognizable thanks to the large wire-rimmed glasses Parks sports from the outset as she marches confidently through Antelo’s stylized illustrations, she looks childlike throughout (as characteristic of this series), and her skin is unrealistically darkened to match the most common shade visible on other African-American figures. In her co-published Emmeline Pankhurst (illustrated by Ana Sanfelippo), Kaiser likewise simplistically implies that Great Britain led the way in granting universal women’s suffrage but highlights her subject’s courageous quest for justice, and Isabel Sánchez Vegara caps her profile of Audrey Hepburn (illustrated by Amaia Arrazola) with the moot but laudable claim that “helping people across the globe” (all of whom in the pictures are dark-skinned children) made Hepburn “happier than acting or dancing ever had.” All three titles end with photographs and timelines over more-detailed recaps plus at least one lead to further information.
It’s a bit sketchy of historical detail, but it’s coherent, inspirational, and engaging without indulging in rapturous flights of hyperbole. (Picture book/biography. 5-7)Pub Date: Sept. 7, 2017
ISBN: 978-1-78603-018-4
Page Count: 32
Publisher: Frances Lincoln
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
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