by Kathleen Krull ; Paul Brewer ; illustrated by Stacy Innerst ‧ RELEASE DATE: May 14, 2013
Parents and (more likely) grandparents who want to introduce children to their favorite band would do better to play a song...
Many adult readers will agree wholeheartedly with the title of this heartfelt paean to the Fab Four, but unfortunately, Krull and Brewer don’t quite manage to offer enough evidence to effectively convey to children the Beatles’ unique appeal and immense contributions to pop culture.
The narrative is straightforward. From their early years in Liverpool through their first big hit, the rapturous response they received in the U.S. and their eventual decision to go their separate ways, the trajectory of the Beatles’ incredible success is clearly plotted. Quirky details suggest that serious research informs the text. Unfortunately some sweeping statements may leave young listeners wondering just why the Beatles were considered “so cool, so funny, so fab.” Innerst’s accomplished acrylic-and-ink illustrations also seem more geared toward nostalgic adults. Exaggerated features and odd perspectives abound. Visual jokes and references enrich the paintings and extend the text, as when the band appears on a roller coaster formed by a guitar case plastered with stickers, but will almost certainly go over the heads of the intended audience.
Parents and (more likely) grandparents who want to introduce children to their favorite band would do better to play a song or two on whatever device is handy—though as Brewer and Krull note, the transformative impact of the Beatles was such that kids may not even recognize the originality of their music. (Informational picture book. 7-9)Pub Date: May 14, 2013
ISBN: 978-0-547-50991-4
Page Count: 40
Publisher: Harcourt
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
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by Tomie dePaola ‧ RELEASE DATE: April 1, 1999
The legions of fans who over the years have enjoyed dePaola’s autobiographical picture books will welcome this longer gathering of reminiscences. Writing in an authentically childlike voice, he describes watching the new house his father was building go up despite a succession of disasters, from a brush fire to the hurricane of 1938. Meanwhile, he also introduces family, friends, and neighbors, adds Nana Fall River to his already well-known Nana Upstairs and Nana Downstairs, remembers his first day of school (“ ‘ When do we learn to read?’ I asked. ‘Oh, we don’t learn how to read in kindergarten. We learn to read next year, in first grade.’ ‘Fine,’ I said. ‘I’ll be back next year.’ And I walked right out of school.”), recalls holidays, and explains his indignation when the plot of Disney’s “Snow White” doesn’t match the story he knows. Generously illustrated with vignettes and larger scenes, this cheery, well-knit narrative proves that an old dog can learn new tricks, and learn them surpassingly well. (Autobiography. 7-9)
Pub Date: April 1, 1999
ISBN: 0-399-23246-X
Page Count: 58
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1999
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by Alexandra Wallner & illustrated by John Wallner ‧ RELEASE DATE: Aug. 1, 2011
Beguiling art props up a profile that reads like a school report.
A quick life of the great fantasist is given wings by allusive painted illustrations.
Aimed at children who know The Hobbit but aren’t quite up to tackling it on their own, the narrative takes “Ronald” from birth in South Africa through transplantation to England, experiences in World War I and postwar life up to the publication of Lord of the Rings. The selection of detail isn’t particularly discriminating. Intriguing information such as the famous anecdote about how the first line of The Hobbit popped into his head out of nowhere or notes about Gandalf’s origin and a relative’s farm called “Bag’s End” is interspersed with eye-glazing references to childhood changes of address or the formation of the Tolkien Society. The art provides a more studied route into the author’s imagination and achievements. Prettily rendered in soft lines and muted colors, it’s framed as a winding board game decorated with thematic words, depictions of elves and dragons, views of the author and his family at various ages, simple codes and highlighted scenes, all capped by facing portraits of Tolkien (“I am in fact a hobbit in all but size”) and Bilbo Baggins.
Beguiling art props up a profile that reads like a school report. (timeline, bibliography, notes) (Picture book/biography. 7-9)Pub Date: Aug. 1, 2011
ISBN: 978-0-8234-1951-7
Page Count: 32
Publisher: Holiday House
Review Posted Online: June 28, 2011
Kirkus Reviews Issue: July 1, 2011
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