by Kathleen Lane ; illustrated by Neil Swaab ‧ RELEASE DATE: Jan. 19, 2021
An artful, amusingly quirky tour of middle school angst.
“Dear weird toes / crooked nose, / stressed out, left out / freaked out / … / This party’s for you.”
Welcome to Bridger Middle School, home of the titular Pity Party. This grab bag of vignettes condenses a world of early adolescent anxieties and excitements into a single volume progressing at whirlwind pace. With the exception of the arc story entitled “The Voice,” each vignette introduces a new protagonist and problem. Here the mundane collides with the fantastical, real-world pathologies and privations made light of through magical realism and a healthy dose of Gen-Z hyperbole. An ill-treated loner wishes everyone who’s ever been unkind to her might feel what it is to be ugly—to disastrous effect; a thrift-store mood ring that never lies pushes a closeted gay boy to be true to himself. OCD spirals in the subway and harmful self-talk exist comfortably alongside a human chair, literal death by embarrassment (farting in class, oh, the humanity!), and social media followers dogging one’s every step. Not all segments resonate; the sickeningly saccharine Happy Head and Happy Friends ad spots and a too-blasé letter from the Department of Insecurity come off as a bit too self-aware while the simple, unapologetic absurdity of the ”choose your own catastrophe” misadventures invariably draw laughter but don’t quite fit with the rest of the story—though perhaps that’s the point. Swaab's illustrations offer suitably ironic visuals.
An artful, amusingly quirky tour of middle school angst. (Fiction. 11-13)Pub Date: Jan. 19, 2021
ISBN: 978-0-316-41736-5
Page Count: 224
Publisher: Little, Brown
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
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by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: May 14, 2013
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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by Soman Chainani ; illustrated by Iacopo Bruno
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by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: July 21, 2015
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and...
Good has won every fairy-tale contest with Evil for centuries, but a dark sorcerer’s scheme to turn the tables comes to fruition in this ponderous closer.
Broadening conflict swirls around frenemies Agatha and Sophie as the latter joins rejuvenated School Master Rafal, who has dispatched an army of villains from Capt. Hook to various evil stepmothers to take stabs (literally) at changing the ends of their stories. Meanwhile, amid a general slaughter of dwarves and billy goats, Agatha and her rigid but educable true love, Tedros, flee for protection to the League of Thirteen. This turns out to be a company of geriatric versions of characters, from Hansel and Gretel (in wheelchairs) to fat and shrewish Cinderella, led by an enigmatic Merlin. As the tale moves slowly toward climactic battles and choices, Chainani further lightens the load by stuffing it with memes ranging from a magic ring that must be destroyed and a “maleficent” gown for Sophie to this oddly familiar line: “Of all the tales in all the kingdoms in all the Woods, you had to walk into mine.” Rafal’s plan turns out to be an attempt to prove that love can be twisted into an instrument of Evil. Though the proposition eventually founders on the twin rocks of true friendship and family ties, talk of “balance” in the aftermath at least promises to give Evil a fighting chance in future fairy tales. Bruno’s polished vignettes at each chapter’s head and elsewhere add sophisticated visual notes.
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and flashes of hilarity. (Fantasy. 11-13)Pub Date: July 21, 2015
ISBN: 978-0-06-210495-3
Page Count: 672
Publisher: Harper/HarperCollins
Review Posted Online: June 25, 2015
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