There just isn’t anything unusual enough about the author’s experiences and perceptions to make this more than a...
Poet and nonfiction author Norris (The Cloister Walk, 1996, etc.) focuses in this autobiography on her years at Bennington College in the mid-1960s and a subsequent period of maturation in New York City.
Notorious for its atmosphere of sexual promiscuity, drugs, and bohemian liberalism, Bennington seemed a bad fit for a shy girl from Honolulu whose most cherished entertainments consisted of reading and singing in the church choir. Dubbed by her college mates “the Virgin of Bennington,” Norris spent four years in self-imposed isolation, composing verse largely out of a need for “protective coloration” in a world that seemed to have little place for her. Poetry was a defense mechanism against the intrusion of coarse reality, claims Norris, who had her first sexual experience with another girl and later became the lover of a married professor. Moving to New York after graduation, she took a job at the Academy of American Poets, performing menial secretarial tasks but benefiting from the opportunity to attend poetry readings and meet stars of the literary demimonde. Persistently describing herself as too bashful to venture out to a Manhattan grocery store, in the same breath the author portrays all-night binges in the bars and poets’ lofts she frequented, sometimes to the detriment of her daytime responsibilities. More interesting than her panorama of New York’s unbridled bohemian lifestyle is Norris’s tribute to mentor and friend Betty Kray, executive director of the AAP. Committed to helping struggling writers through grants and awards, Kray nourished many native talents while also promoting foreign celebrities. Convinced of Kray’s decisive role in her own creative development, Norris mulls over their friendship and Betty’s selfless devotion to the verbal art.
There just isn’t anything unusual enough about the author’s experiences and perceptions to make this more than a near-stereotypical tale of a provincial American emerging from a sheltered, small-town environment to confront the dangers and temptations of a big metropolis.Pub Date: April 1, 2001
ISBN: 1-57322-179-1
Page Count: 272
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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