There just isn’t anything unusual enough about the author’s experiences and perceptions to make this more than a...
Poet and nonfiction author Norris (The Cloister Walk, 1996, etc.) focuses in this autobiography on her years at Bennington College in the mid-1960s and a subsequent period of maturation in New York City.
Notorious for its atmosphere of sexual promiscuity, drugs, and bohemian liberalism, Bennington seemed a bad fit for a shy girl from Honolulu whose most cherished entertainments consisted of reading and singing in the church choir. Dubbed by her college mates “the Virgin of Bennington,” Norris spent four years in self-imposed isolation, composing verse largely out of a need for “protective coloration” in a world that seemed to have little place for her. Poetry was a defense mechanism against the intrusion of coarse reality, claims Norris, who had her first sexual experience with another girl and later became the lover of a married professor. Moving to New York after graduation, she took a job at the Academy of American Poets, performing menial secretarial tasks but benefiting from the opportunity to attend poetry readings and meet stars of the literary demimonde. Persistently describing herself as too bashful to venture out to a Manhattan grocery store, in the same breath the author portrays all-night binges in the bars and poets’ lofts she frequented, sometimes to the detriment of her daytime responsibilities. More interesting than her panorama of New York’s unbridled bohemian lifestyle is Norris’s tribute to mentor and friend Betty Kray, executive director of the AAP. Committed to helping struggling writers through grants and awards, Kray nourished many native talents while also promoting foreign celebrities. Convinced of Kray’s decisive role in her own creative development, Norris mulls over their friendship and Betty’s selfless devotion to the verbal art.
There just isn’t anything unusual enough about the author’s experiences and perceptions to make this more than a near-stereotypical tale of a provincial American emerging from a sheltered, small-town environment to confront the dangers and temptations of a big metropolis.Pub Date: April 1, 2001
ISBN: 1-57322-179-1
Page Count: 272
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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