by Kathleen V. Kudlinski & illustrated by S.D. Schindler ‧ RELEASE DATE: Nov. 1, 2005
A spirited text and humorously detailed line-and-color illustrations discuss the evolving nature of dinosaur research, emphasizing the ways recent discoveries have changed the ways paleontologists understand the always-fascinating creatures. Using the refrain, “Boy, were we wrong . . . !” Kudlinski introduces early thinking about the giant reptiles and then juxtaposes it with our current knowledge: For example, early drawings of dinosaurs show them dragging their tails, but the lack of tail drag marks in thousands of fossil footprints and close examination of tailbones have led scientists to conclude that dinosaurs held their tails out and used them for balance. Schindler’s finely-inked illustrations use faux-antique effects to illustrate old thinking, while current theories feature colorful, full-bleed paintings, giving personality to their subjects without undue anthropomorphizing. Throughout, readers are encouraged to question received knowledge (and older library books), always acknowledging that the science keeps changing. An opening that encourages readers to laugh up their sleeves at the “ignorance” of ancient Chinese scholars on the subject of dinosaurs is an unfortunate detour into exoticism in a text that otherwise treats both readers and subject with respect and enthusiasm. (timeline, bibliography) (Picture book/nonfiction. 5-8)
Pub Date: Nov. 1, 2005
ISBN: 0-525-46978-8
Page Count: 32
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2005
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by Alice Walstead ; illustrated by Andy Elkerton ‧ RELEASE DATE: Dec. 6, 2022
Sugary uplift, shrink-wrapped for the masses.
An elusive new quarry leads the How To Catch… kids on a merry chase through a natural history museum.
Taking at least a step away from the “hunters versus prey” vibe of previous entries in the popular series, the racially diverse group of young visitors dashes through various museum halls in pursuit of the eponymous dino—whose quest to “spread kindness and joy ’round the world” takes the form of a mildly tumultuous museum tour. In most of Elkerton’s overly sweet, color-saturated scenes, only portions of the Loveosaurus, who is purple and covered with pink hearts, are visible behind exhibits or lumbering off the page. But the children find small enticements left behind, from craft supplies to make cards for endangered species to pictures of smiley faces, candy heart–style personal notes (“You Rock!” “Give Hugs”), and, in the hall of medieval arms and armor, a sign urging them to “Be Honest Be Kind.” The somewhat heavy-handed lesson comes through loud and clear. “There’s a message, he wants us to think,” hints Walstead to clue in more obtuse readers…and concluding scenes of smiling people young and otherwise exchanging hugs and knuckle bumps, holding doors for a wheelchair rider, and dancing through clouds of sparkles indicate that they, at least, have gotten it. (This book was reviewed digitally.)
Sugary uplift, shrink-wrapped for the masses. (Picture book. 5-7)Pub Date: Dec. 6, 2022
ISBN: 9781728268781
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 17, 2023
Kirkus Reviews Issue: Feb. 15, 2023
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by Alice Walstead ; illustrated by Emma Gillette & Andy Elkerton
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by Susan Verde ; illustrated by Peter H. Reynolds ‧ RELEASE DATE: Sept. 13, 2016
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
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