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THE BRAVE PRINCESS AND ME

With many higher-quality Holocaust narratives to choose from, this is one to skip.

A clever princess hides a young Jewish girl and her mother during the Holocaust.

The story is told from the point of view of Tilde, a Greek Jewish girl whose mother brings her to the home of Princess Alice von Battenberg to plead for a place to hide. Princess Alice agrees to hide them, even risking her safety to hinder a Gestapo search. In what reads as a cheap twist, Alice reveals her secret deafness to an astonished Tilde. The moment falls flat, in part because readers have already learned of Alice’s deafness in an unnecessary preamble. Despite its basis in true events, the stilted narrative reduces deafness to inspirational set dressing. In a concluding note Kacer explains, “[Alice] was also very smart. She learned to lip-read in three languages with such skill that many people never knew she couldn’t hear.” Regardless of the author’s intent, this correlation perpetuates the common misconception that the ability to communicate using spoken language is a barometer for intelligence. Also impossible to ignore is the book’s resounding silence on the fates of those d/Deaf people who lacked the political connections that shielded Princess Alice. There is a need for literature addressing the experiences of d/Deaf people in the Holocaust, but this book does not rise to the task. Kolesova’s illustrations are attractive but static, neither clarifying nor augmenting the text.

With many higher-quality Holocaust narratives to choose from, this is one to skip. (biographical note, photos) (Picture book. 7-12)

Pub Date: Sept. 10, 2019

ISBN: 978-1-77260-102-2

Page Count: 32

Publisher: Second Story Press

Review Posted Online: May 25, 2019

Kirkus Reviews Issue: June 15, 2019

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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CHARLOTTE'S WEB

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...

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A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.

Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.

Pub Date: Oct. 15, 1952

ISBN: 978-0-06-026385-0

Page Count: 192

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 14, 2011

Kirkus Reviews Issue: Oct. 1, 1952

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