With many higher-quality Holocaust narratives to choose from, this is one to skip.
A clever princess hides a young Jewish girl and her mother during the Holocaust.
The story is told from the point of view of Tilde, a Greek Jewish girl whose mother brings her to the home of Princess Alice von Battenberg to plead for a place to hide. Princess Alice agrees to hide them, even risking her safety to hinder a Gestapo search. In what reads as a cheap twist, Alice reveals her secret deafness to an astonished Tilde. The moment falls flat, in part because readers have already learned of Alice’s deafness in an unnecessary preamble. Despite its basis in true events, the stilted narrative reduces deafness to inspirational set dressing. In a concluding note Kacer explains, “[Alice] was also very smart. She learned to lip-read in three languages with such skill that many people never knew she couldn’t hear.” Regardless of the author’s intent, this correlation perpetuates the common misconception that the ability to communicate using spoken language is a barometer for intelligence. Also impossible to ignore is the book’s resounding silence on the fates of those d/Deaf people who lacked the political connections that shielded Princess Alice. There is a need for literature addressing the experiences of d/Deaf people in the Holocaust, but this book does not rise to the task. Kolesova’s illustrations are attractive but static, neither clarifying nor augmenting the text.
With many higher-quality Holocaust narratives to choose from, this is one to skip. (biographical note, photos) (Picture book. 7-12)Pub Date: Sept. 10, 2019
ISBN: 978-1-77260-102-2
Page Count: 32
Publisher: Second Story Press
Review Posted Online: May 25, 2019
Kirkus Reviews Issue: June 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
Fast-paced and plot-driven.
In his latest, prolific author Gratz takes on Hitler’s Olympic Games.
When 13-year-old American gymnast Evie Harris arrives in Berlin to compete in the 1936 Olympic Games, she has one goal: stardom. If she can bring home a gold medal like her friend, the famous equestrian-turned-Hollywood-star Mary Brooks, she might be able to lift her family out of their Dust Bowl poverty. But someone slips a strange note under Evie’s door, and soon she’s dodging Heinz Fischer, the Hitler Youth member assigned to host her, and meeting strangers who want to make use of her gymnastic skills—to rob a bank. As the games progress, Evie begins to see the moral issues behind their sparkling facade—the antisemitism and racism inherent in Nazi ideology and the way Hitler is using the competition to support and promote these beliefs. And she also agrees to rob the bank. Gratz goes big on the Mission Impossible–style heist, which takes center stage over the actual competitions, other than Jesse Owens’ famous long jump. A lengthy and detailed author’s note provides valuable historical context, including places where Gratz adapted the facts for storytelling purposes (although there’s no mention of the fact that before 1952, Olympic equestrian sports were limited to male military officers). With an emphasis on the plot, many of the characters feel defined primarily by how they’re suffering under the Nazis, such as the fictional diver Ursula Diop, who was involuntarily sterilized for being biracial.
Fast-paced and plot-driven. (Historical fiction. 9-12)Pub Date: Oct. 7, 2025
ISBN: 9781338736106
Page Count: 368
Publisher: Scholastic
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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