Next book

THE DANCE OF THE VIOLIN

A joyful reminder that perseverance pays off, especially when you let out the artist within.

The early life of renowned violinist Joshua Bell is portrayed in a lively fashion.

It’s apparent that the violin is the perfect instrument for the small white boy, as his first tentative attempts at familiar tunes turn into a joyful immersion in the music. Colorful mixed-media illustrations dance and swirl across the pages as Joshua envisions stories emanating from the music he plays. At the age of 12, Joshua enters a tough competition for a chance to perform with an orchestra, choosing one of the most difficult pieces for a violinist to master. Apprehension turns into personal triumph as he soldiers on after a major mistake in his performance. Petricic’s light touch, fluid lines, and watercolors are reminiscent of Quentin Blake’s work, and they bring to life the exuberance with which Joshua approaches his art. Expansive double-page spreads, plenty of white space, and unusual perspectives give just the right amount of room for Stinson’s descriptive text, which captures a range of emotions, from music that “tickled every hair on Joshua’s head” to notes that “hung limp in the air like wet laundry on a clothesline.” The final page of the book provides the basis for the story in question-and-answer format.

A joyful reminder that perseverance pays off, especially when you let out the artist within. (Picture book/biography. 5-8)

Pub Date: March 14, 2017

ISBN: 978-1-55451-900-2

Page Count: 32

Publisher: Annick Press

Review Posted Online: Dec. 25, 2016

Kirkus Reviews Issue: Jan. 15, 2017

Next book

LUCY TRIES BASKETBALL

From the Lucy Tries Sports series

It’s a slam dunk

Lucy discovers that the way to learn to play basketball is with friends on a neighborhood court.

Lucy loves playing in the park, and one day she and her friends join their friend Ava and her cousin in their new favorite sport: basketball. Pro player Jermaine, aka “Coach J,” teaches all the basics—footwork, quick passes, dribbling, and a variety of shots. But he also encourages the players to keep trying when they miss, stresses the value of teamwork, and focuses on fun as they learn and later play a practice game. At the end of the workout, Coach J invites the young players to watch him and his team play. Written in loose rhyming couplets, the text has many near rhymes and inconsistent meter. While the storyline is predictable, the book is a good introduction to basketball terms, and young basketball players and fans will appreciate reading about themselves. Vivid silhouetted figures against a white background portray male and female players of several races; Lucy herself is white while Ava and Coach J are black. One young player competes from a wheelchair. A half page of backmatter explains the history of basketball, the NBA and its players, and wheelchair basketball, and one entry also explains the three-on-three basketball that the children play. The book publishes in a simultaneous French edition translated by Rachel Martinez.

It’s a slam dunk . (Picture book. 5-8)

Pub Date: Sept. 3, 2019

ISBN: 978-1-4598-1697-8

Page Count: 32

Publisher: Orca

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

Next book

BUNHEADS

A predictable ballet tale for die-hard Copeland fans or as an introduction to Coppélia.

A young ballerina takes on her first starring role.

Young Misty has just begun taking ballet when her teacher announces auditions for the classic ballet Coppélia. Misty listens spellbound as Miss Bradley tells the story of the toymaker who creates a doll so lifelike it threatens to steal a boy’s heart away from his betrothed, Swanilda. Paired with a kind classmate, Misty works hard to perfect the steps and wins the part she’s wanted all along: Swanilda. As the book closes, Misty and her fellow dancers take their triumphant opening-night bows. Written in third person, the narrative follows a linear structure, but the storyline lacks conflict and therefore urgency. It functions more as an introduction to Coppélia than anything else, despite the oddly chosen title. Even those unfamiliar with Copeland’s legendary status as the first black principal ballerina for the American Ballet Theatre will predict the trite ending. The illustrations are an attractive combination of warm brown, yellow, and rosy mahogany. However, this combination also obscures variations in skin tone, especially among Misty’s classmates. Misty and her mother are depicted with brown hair and brown skin; Miss Bradley has red hair and pale skin. Additionally, there’s a disappointing lack of body-type diversity; the dancers are depicted as uniformly skinny with extremely long limbs. The precise linework captures movement, yet the humanity of dance is missing. Many ballet steps are illustrated clearly, but some might confuse readers unfamiliar with ballet terminology. (This book was reviewed digitally with 10.5-by-18-inch double-page spreads viewed at 48% of actual size.)

A predictable ballet tale for die-hard Copeland fans or as an introduction to Coppélia. (Picture book. 5-8)

Pub Date: Sept. 29, 2020

ISBN: 978-0-399-54764-5

Page Count: 32

Publisher: Putnam

Review Posted Online: June 15, 2020

Kirkus Reviews Issue: July 1, 2020

Close Quickview